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| | | | Julien Frydman: Paris Photo
For the first time, Paris Photo presents an original journey within the galleries: "Paris Photo seen by ..." In 2012, Paris Photo entrusted David Lynch with the task of choosing from among the works exhibited by the gallery owners--an original way for the public to contemplate the works whilst at the same time discovering the artist's aesthetic universe." Julien Frydman, Director of Paris Photo, writes: "Looking at David Lynch's selection is a bit like visiting Paris Photo in his company; a dialogue begins; we do look at the works 'together,' but first of all we look at them in a different way, through a 'Lynchian' filter. Our first perception undergoes a distortion, the reading becomes a plural one and reveals the metaphoric power of every image; I believe it will be the same for other visitors, only that Lynch's subconscious takes over: the body, the strangeness, the potential narrative and the ambiguity of the image are always present."
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FORMAT: Pbk, 7.75 x 10.5 in. / 186 pgs / illustrated throughout.
LIST PRICE: U.S. $26.00
LIST PRICE: CANADA $30
ISBN: 9783869306162
PUBLISHER: Steidl
AVAILABLE: 11/20/2012
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2014 | PRESS INQUIRIES
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| Julien Frydman: Paris Photo Published by Steidl. For the first time, Paris Photo presents an original journey within the galleries: "Paris Photo seen by ..." In 2012, Paris Photo entrusted David Lynch with the task of choosing from among the works exhibited by the gallery owners--an original way for the public to contemplate the works whilst at the same time discovering the artist's aesthetic universe." Julien Frydman, Director of Paris Photo, writes: "Looking at David Lynch's selection is a bit like visiting Paris Photo in his company; a dialogue begins; we do look at the works 'together,' but first of all we look at them in a different way, through a 'Lynchian' filter. Our first perception undergoes a distortion, the reading becomes a plural one and reveals the metaphoric power of every image; I believe it will be the same for other visitors, only that Lynch's subconscious takes over: the body, the strangeness, the potential narrative and the ambiguity of the image are always present."
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