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Clth, 11.75 x 11.5 in. / 237 pgs / 115 color. PUBLISHING STATUS
Pub Date 4/28/2013
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ISBN 9783869305370 TRADE
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In stock | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | David Maisel: Black Maps
Black Maps is the first in-depth survey of the major aerial projects by David Maisel, whose images of radically altered terrain have transformed the practice of contemporary landscape photography. In more than 100 photos that span Maisel's career, Black Maps presents a hallucinatory worldview encompassing both stark documentary and tragic metaphor, and exploring the relationship between nature and humanity today. Maisel's images of environmentally impacted sites consider the aesthetics of open pit mines, clear-cut forests, rampant urbanization and sprawl, and zones of water reclamation. These surreal and disquieting photos take us towards the margins of the unknown and as the Los Angeles Times has stated, argue for an expanded definition of beauty, one that bypasses glamour to encompass the damaged, the transmuted, the decomposed.
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| | | |  | Text by Geoff Manaugh, Tyler Green, William L. Fox, David Maisel, Katie Lee-Koven.RADIUS BOOKS/NORA ECCLES HARRISON MUSEUM OF ART, UTAH STATE UNIVERSITYISBN: 9781942185666
USD $65.00 | CAN $92 UK £ 57Pub Date: 1/21/2020
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USD $85.00 | CAN $112.5Pub Date: 4/28/2013
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FORMAT: Clth, 11.75 x 11.5 in. / 237 pgs / 115 color.
LIST PRICE: U.S. $85.00
LIST PRICE: CANADA $112.5
ISBN: 9783869305370
PUBLISHER: Steidl
AVAILABLE: 4/28/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| David Maisel: Black Maps Published by Steidl. | Black Maps is the first in-depth survey of the major aerial projects by David Maisel, whose images of radically altered terrain have transformed the practice of contemporary landscape photography. In more than 100 photos that span Maisel's career, Black Maps presents a hallucinatory worldview encompassing both stark documentary and tragic metaphor, and exploring the relationship between nature and humanity today. Maisel's images of environmentally impacted sites consider the aesthetics of open pit mines, clear-cut forests, rampant urbanization and sprawl, and zones of water reclamation. These surreal and disquieting photos take us towards the margins of the unknown and as the Los Angeles Times has stated, argue for an expanded definition of beauty, one that bypasses glamour to encompass the damaged, the transmuted, the decomposed.
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