Text by Roland Mönig, Guy Tosatto, Timo Valjakka, Eric de Chassey.
Alex Katz (born 1927) has become a leading chronicler of modern life in America, a model and forerunner to several schools of painting that came after him. Portraying in deadpan style the faces of New York and its environs since the 1950s, when he was a part of the later Cedar Tavern scene, Katz makes everyday enigmas of people, at once emptying them of meaning and bestowing upon them specific character and specific roles in life. Some of these faces may be familiar (poets Allen Ginsberg and Ted Berrigan), others equally striking simply add to Katz's sense of modern life as a parade or a pageant. An American Way of Seeing surveys work from 1968 onwards, from paintings to cutouts and multi-panel works. The more recent paintings reproduced herein convey new hints of lyricism, in their depiction of reflections in water and mute night-time scenes.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
 
Distributed by D.A.P.
FORMAT: Hbk, 8.5 x 10.75 in. / 136 pgs / 85 color / 11 b&w. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $65 ISBN: 9783866782631 PUBLISHER: Kerber AVAILABLE: 6/30/2010 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ME
Published by Kerber. Text by Roland Mönig, Guy Tosatto, Timo Valjakka, Eric de Chassey.
Alex Katz (born 1927) has become a leading chronicler of modern life in America, a model and forerunner to several schools of painting that came after him. Portraying in deadpan style the faces of New York and its environs since the 1950s, when he was a part of the later Cedar Tavern scene, Katz makes everyday enigmas of people, at once emptying them of meaning and bestowing upon them specific character and specific roles in life. Some of these faces may be familiar (poets Allen Ginsberg and Ted Berrigan), others equally striking simply add to Katz's sense of modern life as a parade or a pageant. An American Way of Seeing surveys work from 1968 onwards, from paintings to cutouts and multi-panel works. The more recent paintings reproduced herein convey new hints of lyricism, in their depiction of reflections in water and mute night-time scenes.