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| | | | Sound in Z: Experiments in Sound and Electronic Music in Early 20th-century RussiaEdited by David Rogerson, Matt Price. Foreword by Jeremy Deller. Text by Andrei Smirnov.
Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term “bio-mechanics”; Leon Theremin, inventor of the world's first electronic instrument, the Theremin; and others whose dreams for electronic sound were cut short by Stalin's regime. Drawing on materials from numerous Moscow archives, this book reconstructs Avraamov's “Symphony of Sirens,” an open-air performance for factory whistles, foghorns and artillery fire first staged in 1922, explores Graphic Sound and recounts Theremin's extraordinary career—compiling the first full account of Russian electronic music.
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FORMAT: Pbk, 7.25 x 9 in. / 279 pgs / 60 b&w.
LIST PRICE: U.S. $38.00
LIST PRICE: CANADA $45
ISBN: 9783865607065
PUBLISHER: Walther König, Köln
AVAILABLE: 6/30/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2010 Page 79 | PRESS INQUIRIES
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| Sound in Z: Experiments in Sound and Electronic Music in Early 20th-century Russia Published by Walther König, Köln.
Edited by David Rogerson, Matt Price. Foreword by Jeremy Deller. Text by Andrei Smirnov. Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term “bio-mechanics”; Leon Theremin, inventor of the world's first electronic instrument, the Theremin; and others whose dreams for electronic sound were cut short by Stalin's regime. Drawing on materials from numerous Moscow archives, this book reconstructs Avraamov's “Symphony of Sirens,” an open-air performance for factory whistles, foghorns and artillery fire first staged in 1922, explores Graphic Sound and recounts Theremin's extraordinary career—compiling the first full account of Russian electronic music.
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