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| |   |   | Jack GoldsteinForeword by Susanne Gaensheimer. Text by Klaus Görner, Chrissie Iles, Shepherd Steiner. Interview by Chris Dercon.
A leading protagonist of the “Pictures Generation,” Jack Goldstein (1945–2003) has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does performances, films, albums, paintings, aphorisms, the critique of text and image production by direct appropriation, in the vein of his colleagues Richard Prince and Sherrie Levine. “Media is sensational” was a famous aphorism of Goldstein's—meaning that “technology does everything for us so that we no longer have to function in terms of experience. We function in terms of aesthetics.” This first thorough catalogue on Goldstein at last does justice to his work and its influence. It contains a wide selection of illustrations, an interview with Goldstein from 1985 by Chris Dercon and essays by Klaus Görner, Chrissie Iles and Shepherd Steiner.
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FORMAT: Clth, 9 x 10.5 in. / 204 pgs / 150 color / 20 b&w. LIST PRICE: U.S. $64.00 LIST PRICE: CANADA $75 ISBN: 9783865606969 PUBLISHER: Walther König, Köln AVAILABLE: 3/31/2010 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2010 Page 61 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Jack Goldstein Published by Walther König, Köln. Foreword by Susanne Gaensheimer. Text by Klaus Görner, Chrissie Iles, Shepherd Steiner. Interview by Chris Dercon. A leading protagonist of the “Pictures Generation,” Jack Goldstein (1945–2003) has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does performances, films, albums, paintings, aphorisms, the critique of text and image production by direct appropriation, in the vein of his colleagues Richard Prince and Sherrie Levine. “Media is sensational” was a famous aphorism of Goldstein's—meaning that “technology does everything for us so that we no longer have to function in terms of experience. We function in terms of aesthetics.” This first thorough catalogue on Goldstein at last does justice to his work and its influence. It contains a wide selection of illustrations, an interview with Goldstein from 1985 by Chris Dercon and essays by Klaus Görner, Chrissie Iles and Shepherd Steiner.
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