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| | | | Lucy McKenzie: Chęne De WeekendText by Lucy McKenzie, Barbara Engelbach. Afterword by Kasper König.
Born into the semiotic seductions of the 1980s, Scottish painter Lucy McKenzie reworks the iconography of that decade to foster associations between the most unlikely sources—East European propaganda murals, German abstract painting, Cold War imagery, industrial typefaces and 1980s synth-pop. To embellish this wide-ranging lexicon, she often collaborates with fashion designers, musicians and interior designers on works that have been exhibited as theatrical sets at museums in Edinburgh, San Francisco, New York and Cologne, winning her an international following. Ch'ne De Weekend introduces new paintings that reference nineteenth-century trompe l'oeil paintings used for interior design, part of McKenzie's participation in Atelier, an interior design collective. Alongside reproductions of works, it includes a fictional account of her study of trompe l'oeil and an homage to the fashion designer Beca Lipscombe, one of her collaborators in Atelier.
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FORMAT: Pbk, 7.75 x 11.5 in. / 124 pgs / 186 color.
LIST PRICE: U.S. $49.95
LIST PRICE: CANADA $67.5
ISBN: 9783865606891
PUBLISHER: Walther König, Köln
AVAILABLE: 3/31/2010
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
TERRITORY: NA LA AU/NZ AFR | D.A.P. CATALOG: SPRING 2010 Page 64 | PRESS INQUIRIES
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| Lucy McKenzie: Chęne De Weekend Published by Walther König, Köln.
Text by Lucy McKenzie, Barbara Engelbach. Afterword by Kasper König. Born into the semiotic seductions of the 1980s, Scottish painter Lucy McKenzie reworks the iconography of that decade to foster associations between the most unlikely sources—East European propaganda murals, German abstract painting, Cold War imagery, industrial typefaces and 1980s synth-pop. To embellish this wide-ranging lexicon, she often collaborates with fashion designers, musicians and interior designers on works that have been exhibited as theatrical sets at museums in Edinburgh, San Francisco, New York and Cologne, winning her an international following. Ch'ne De Weekend introduces new paintings that reference nineteenth-century trompe l'oeil paintings used for interior design, part of McKenzie's participation in Atelier, an interior design collective. Alongside reproductions of works, it includes a fictional account of her study of trompe l'oeil and an homage to the fashion designer Beca Lipscombe, one of her collaborators in Atelier.
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