| | BOOK FORMAT
Paperback, 7.25 x 9.5 in. / 120 pgs / 37 color. PUBLISHING STATUS
Pub Date 7/1/2008
Out of print DISTRIBUTION
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Catalog: FALL 2008 p. 127 PRODUCT DETAILS
ISBN 9783865604064 TRADE
List Price: $49.95 CDN $60.00 AVAILABILITY
Not available | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Kumi MachidaEdited by Veit Görner. Text by Eveline Bernasconi, Kumi Machida, Satoru Nagoya.
An artist possessed of genuine-and genuinely wild-imagination, Kumi Machida (born in 1970) has made international waves with her austere brushwork depicting biomorphic-androidal humans in states of arousal, communion or both. Machida combines a classical education in the Japanese tradition of Nihonga painting with contemporary motifs to forge a comic-book style, somewhat redolent of otaku culture, that is all her own. The eroticism of Machida's line is offset by a minimal application of color; in fact, usually her figures are all line, rendered in blue-black Indian ink, with only occasional splashes of brighter color, on kumohada linen paper. The full-color plates in this book are accompanied by two excellent texts by Swiss expert Eveline Bernasconi and Japanese art critic Satoru Nagoya, who have followed Machida's work for years.
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FORMAT: Paperback, 7.25 x 9.5 in. / 120 pgs / 37 color.
LIST PRICE: U.S. $49.95
LIST PRICE: CANADA $60
ISBN: 9783865604064
PUBLISHER: Walther König, Köln
AVAILABLE: 7/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Kumi Machida Published by Walther König, Köln.
Edited by Veit Görner. Text by Eveline Bernasconi, Kumi Machida, Satoru Nagoya. | An artist possessed of genuine-and genuinely wild-imagination, Kumi Machida (born in 1970) has made international waves with her austere brushwork depicting biomorphic-androidal humans in states of arousal, communion or both. Machida combines a classical education in the Japanese tradition of Nihonga painting with contemporary motifs to forge a comic-book style, somewhat redolent of otaku culture, that is all her own. The eroticism of Machida's line is offset by a minimal application of color; in fact, usually her figures are all line, rendered in blue-black Indian ink, with only occasional splashes of brighter color, on kumohada linen paper. The full-color plates in this book are accompanied by two excellent texts by Swiss expert Eveline Bernasconi and Japanese art critic Satoru Nagoya, who have followed Machida's work for years.
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