| | BOOK FORMAT Hardback, 10.25 x 13.5 in. / 160 pgs / 58 color. PUBLISHING STATUS Pub Date 1/15/2008 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2008 p. 163 PRODUCT DETAILS ISBN 9783865602039 FLAT40 List Price: $64.00 CAD $75.00 AVAILABILITY Not available | TERRITORY NA LA ASIA AU/NZ AFR | | THE SPRING 2026 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Frank NitscheText by Kirsty Bell, Gerrif Gohlke, Fabrice Hergott. Preface by Jean-Charles Vergne.
Frank Nitsche, a young German painter, is a postmodern abstractionist who produces a suave fusion of futuristic Constructivism and Abstract Expressionist urgency. On big canvases, crisp black and white lines loop, career and crisscross the field, creating complicated, twisting, vaguely architectural structures. Broad flat areas are painted in muted Gap-style hues--khakis, moss greens, salmon pinks and slate blues accented here and there by acidic magentas and pinks.
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FORMAT: Hardback, 10.25 x 13.5 in. / 160 pgs / 58 color. LIST PRICE: U.S. $64.00 LIST PRICE: CANADA $75 ISBN: 9783865602039 PUBLISHER: Walther König, Köln AVAILABLE: 1/15/2008 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR | D.A.P. CATALOG: SPRING 2008 Page 163 | PRESS INQUIRIES
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| Frank Nitsche Published by Walther König, Köln. Text by Kirsty Bell, Gerrif Gohlke, Fabrice Hergott. Preface by Jean-Charles Vergne. Frank Nitsche, a young German painter, is a postmodern abstractionist who produces a suave fusion of futuristic Constructivism and Abstract Expressionist urgency. On big canvases, crisp black and white lines loop, career and crisscross the field, creating complicated, twisting, vaguely architectural structures. Broad flat areas are painted in muted Gap-style hues--khakis, moss greens, salmon pinks and slate blues accented here and there by acidic magentas and pinks.
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