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| | | | Don Dudley: Early WorkEdited by Thomas Zander. Text by Konrad Bitterli, Martin Germann, Thomas Lawson, Catherine Taft.
 The work of New York–based artist Don Dudley (born 1930) represents a dialogue between the Minimalist practices of the American East and West Coasts in the 1960s and ’70s, while simultaneously speaking to a new generation of artists who are re-examining perfectionist surfaces and Minimalist practices. As The New York Times critic Ken Johnson wrote: "As if made for a Euclidean mystery cult, [Dudley’s work] is classically modern and modernistically timeless." This publication, a substantial hardcover of almost 250 pages, is the first comprehensive monograph on the artist. It presents a rich selection of his wall installations, the aluminum and Homasote works, as well as works on paper and sketches, serving as a reminder of the relevance of Dudley’s minimalism, with its striking optical effects and its ongoing exploration of object, surface and color.
Featured image is reproduced from Don Dudley: Early Work. |
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FORMAT: Hbk, 9.75 x 10.75 in. / 240 pgs / 97 color / 8 b&w.
LIST PRICE: U.S. $89.95
LIST PRICE: CANADA $120
ISBN: 9783863357641
PUBLISHER: Walther König, Köln
AVAILABLE: 1/26/2016
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2016 Page 131 | PRESS INQUIRIES
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| Don Dudley: Early Work Published by Walther König, Köln.
Edited by Thomas Zander. Text by Konrad Bitterli, Martin Germann, Thomas Lawson, Catherine Taft. The work of New York–based artist Don Dudley (born 1930) represents a dialogue between the Minimalist practices of the American East and West Coasts in the 1960s and ’70s, while simultaneously speaking to a new generation of artists who are re-examining perfectionist surfaces and Minimalist practices. As The New York Times critic Ken Johnson wrote: "As if made for a Euclidean mystery cult, [Dudley’s work] is classically modern and modernistically timeless." This publication, a substantial hardcover of almost 250 pages, is the first comprehensive monograph on the artist. It presents a rich selection of his wall installations, the aluminum and Homasote works, as well as works on paper and sketches, serving as a reminder of the relevance of Dudley’s minimalism, with its striking optical effects and its ongoing exploration of object, surface and color.
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