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| |   |   | Phyllida Barlow: Sculpture 1963 - 2015Text by Frances Morris.
For over 50 years, British artist Phyllida Barlow (born 1944) has created astonishing sculptures and expansive installations. Using simple materials such as plywood, cardboard, fabric, plaster, paint and plastic, Barlow's physically impressive and materially insistent sculptures ask questions about our relationship to objects, and about objects' relationships to us. Slipping between different registers of form and meaning as we try to understand them, her sculptures are like things caught in the process of becoming other things, things we might have seen before or may see in the future. Reproducing many works never seen before, this major monograph presents more than 100 works, offering an indispensable resource on the practice of this important British sculptor, who continues to be lauded by artists and critics for her work, and who has influenced several generations of artists.
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FORMAT: Hbk, 8.75 x 9.75 in. / 240 pgs / 180 color. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $79 ISBN: 9783775740111 PUBLISHER: Hatje Cantz AVAILABLE: 11/24/2015 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: FALL 2015 Page 122 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Phyllida Barlow: Sculpture 1963 - 2015 Published by Hatje Cantz. Text by Frances Morris. For over 50 years, British artist Phyllida Barlow (born 1944) has created astonishing sculptures and expansive installations. Using simple materials such as plywood, cardboard, fabric, plaster, paint and plastic, Barlow's physically impressive and materially insistent sculptures ask questions about our relationship to objects, and about objects' relationships to us. Slipping between different registers of form and meaning as we try to understand them, her sculptures are like things caught in the process of becoming other things, things we might have seen before or may see in the future. Reproducing many works never seen before, this major monograph presents more than 100 works, offering an indispensable resource on the practice of this important British sculptor, who continues to be lauded by artists and critics for her work, and who has influenced several generations of artists.
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