| | | | | |
| | BOOK FORMAT
Clth, 9.75 x 12.25 in. / 268 pgs / 250 color. PUBLISHING STATUS
Pub Date 2/28/2013
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2013 p. 7 PRODUCT DETAILS
ISBN 9783775734431 TRADE
List Price: $75.00 CDN $90.00 AVAILABILITY
Not available | EXHIBITION SCHEDULEBasel, Switzerland
Fondation Beyeler, 09/30/12-01/27/13 | | BROWSE THE 2020 SPRING CATALOG  Preview our Spring 2020 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Edgar Degas: The Late WorkEdited by Martin Schwander. Text by Carol Armstrong, Jonas Beyer, Richard Kendall, Martin Schwander, Mareike Wolf-Scheel.
While Edgar Degas has long been considered one of the major pioneers of modern art, exhibitions of his work remain a surprisingly rare occurrence, and the enduring popularity of the “beautiful” paintings of his Impressionist phase can obscure the overall complexity of his oeuvre. But Degas experimented with various media—drawing and printing techniques, pastel, photography, sculpture—throughout his life, and, after putting Impressionism behind him in 1880, he reached the undoubted culmination of his art in his daring and unique late work. In the artworks he created between 1890 and 1912, the delicate, detailed painting of his mature period gives way to an unbridled pleasure in technical experimentation and an obsessive creativity that increasingly liberates the means of depiction from any straightforward representational function. As if in a dreamlike state, Degas conflates past and present, things seen and remembered, to create his renowned depictions of dancers and female nudes, jockeys and racehorses, landscapes and portraits. Edgar Degas: The Late Work is the first publication to present a comprehensive overview of the technical diversity and wide range of themes in Degas’ oeuvre, and is published to coincide with an exhibition at the Fondation Beyeler in Riehen/Basel.
A founder of the French Impressionist movement, Edgar Degas (1834–1917) began to paint early in life, possessing a studio by the age of 18, and working primarily in history painting up until 1864, when he met Manet (while both were copying the same Velázquez portrait in the Louvre, according to legend). In 1872 he lived in New Orleans, producing several portraits of his extended family there. By the 1880s, his works commanded sufficient prices to permit him to collect works by many of his contemporaries, as well as older masters such as El Greco, Ingres and Delacroix.
|
| | | | |  | Text by Xavier Rey, Anne Roquebert, George T.M. Shackelford. Interview with Lucian Freud by Martin Gayford.MFA PUBLICATIONSISBN: 9780878467730
USD $65.00 | CAN $87 UK £ 57Pub Date: 10/31/2011
Active | In stock
|
|
|
| |
|
| | | | | |
|
| | the art world's source for books on art & culture | | |
NEW YORK
Showroom by Appointment Only
75 Broad Street, Suite 630
New York NY 10004
Tel 212 627 1999
LOS ANGELES
Showroom by Appointment Only
818 S. Broadway, Suite 700
Los Angeles, CA 90014
Tel. 323 969 8985
ARTBOOK LLC
D.A.P. | Distributed Art Publishers, Inc. All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
 The D.A.P. Catalog
www.artbook.com
| |
| |
|
FORMAT: Clth, 9.75 x 12.25 in. / 268 pgs / 250 color.
LIST PRICE: U.S. $75.00
LIST PRICE: CANADA $90
ISBN: 9783775734431
PUBLISHER: Hatje Cantz
AVAILABLE: 2/28/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2013 Page 7 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS
Tel: (212) 627-1999
Fax: (212) 627-9484
Customer Service: (800) 338-2665
Email Trade Sales: orders@dapinc.com |
| Edgar Degas: The Late Work Published by Hatje Cantz.
Edited by Martin Schwander. Text by Carol Armstrong, Jonas Beyer, Richard Kendall, Martin Schwander, Mareike Wolf-Scheel. | While Edgar Degas has long been considered one of the major pioneers of modern art, exhibitions of his work remain a surprisingly rare occurrence, and the enduring popularity of the “beautiful” paintings of his Impressionist phase can obscure the overall complexity of his oeuvre. But Degas experimented with various media—drawing and printing techniques, pastel, photography, sculpture—throughout his life, and, after putting Impressionism behind him in 1880, he reached the undoubted culmination of his art in his daring and unique late work. In the artworks he created between 1890 and 1912, the delicate, detailed painting of his mature period gives way to an unbridled pleasure in technical experimentation and an obsessive creativity that increasingly liberates the means of depiction from any straightforward representational function. As if in a dreamlike state, Degas conflates past and present, things seen and remembered, to create his renowned depictions of dancers and female nudes, jockeys and racehorses, landscapes and portraits. Edgar Degas: The Late Work is the first publication to present a comprehensive overview of the technical diversity and wide range of themes in Degas’ oeuvre, and is published to coincide with an exhibition at the Fondation Beyeler in Riehen/Basel.
A founder of the French Impressionist movement, Edgar Degas (1834–1917) began to paint early in life, possessing a studio by the age of 18, and working primarily in history painting up until 1864, when he met Manet (while both were copying the same Velázquez portrait in the Louvre, according to legend). In 1872 he lived in New Orleans, producing several portraits of his extended family there. By the 1880s, his works commanded sufficient prices to permit him to collect works by many of his contemporaries, as well as older masters such as El Greco, Ingres and Delacroix.
| VIEW MORE ONLINE AT: http://www.artbook.com/9783775734431.html |
| | |
|
