| | BOOK FORMAT
Clth, 11.75 x 9.75 in. / 296 pgs / 197 color. PUBLISHING STATUS
Pub Date 1/31/2010
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2009 p. 151 PRODUCT DETAILS
ISBN 9783775724470 TRADE
List Price: $60.00 CAD $70.00 AVAILABILITY
Not available | TERRITORY
NA LA | | THE SPRING 2026 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | In Sook Kim: Saturday NightText by Jean-Christophe Ammann, Thomas Wagner.
The photographs of In Sook Kim (born 1969 in South Korea) examine how we give meaning to the rooms we live in, how we use furniture, décor, television, computers, sex, alcohol and pharmaceuticals in our futile attempts to fill inner voids--and how those rooms reflect these voids back at us. Kim's Edward Hopper-esque settings are constructed with a loving attention to detail, and lit with an eerie glow, so that they function as deliberately artificial mini-theatres in which human subjects seem intrusive or uneasy, perhaps imprisoned by society's designation of Saturday night as party night. These works were recently exhibited at New York's Gana Art Gallery, to much acclaim.
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FORMAT: Clth, 11.75 x 9.75 in. / 296 pgs / 197 color.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $70
ISBN: 9783775724470
PUBLISHER: Hatje Cantz
AVAILABLE: 1/31/2010
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2009 Page 151 | PRESS INQUIRIES
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| In Sook Kim: Saturday Night Published by Hatje Cantz.
Text by Jean-Christophe Ammann, Thomas Wagner. The photographs of In Sook Kim (born 1969 in South Korea) examine how we give meaning to the rooms we live in, how we use furniture, décor, television, computers, sex, alcohol and pharmaceuticals in our futile attempts to fill inner voids--and how those rooms reflect these voids back at us. Kim's Edward Hopper-esque settings are constructed with a loving attention to detail, and lit with an eerie glow, so that they function as deliberately artificial mini-theatres in which human subjects seem intrusive or uneasy, perhaps imprisoned by society's designation of Saturday night as party night. These works were recently exhibited at New York's Gana Art Gallery, to much acclaim.
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