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Hardback, 11.75 x 9.5 in. / 120 pgs / 50 duotone. PUBLISHING STATUS
Pub Date 3/1/2008
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Catalog: SPRING 2008 p. 197 PRODUCT DETAILS
ISBN 9783775720847 TRADE
List Price: $55.00 CDN $65.00 AVAILABILITY
Not available | | BROWSE THE 2020 SPRING CATALOG  Preview our Spring 2020 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Pierre Crocquet de RosemondEnter ExitText by Eugen Blume, Preface by Rick Wester.
South Africa has seen dramatic recent changes in its history, so that in today's post-apartheid society, where division is still evident but now set primarily along economic lines, it is a country with which both Third and First Worlds can identify. In Enter Exit Pierre Crocquet de Rosemond, born in 1971 in Cape Town, has recorded the daily life of a rural community in his native South Africa. His black-and-white images are largely portraits of individuals, both single and grouped, but always posed and portrayed existentially rather than culturally, so that their common qualities are emphasized over and above their differences. These individuals are mostly photographed facing the camera in direct dialogue, although some images depict people otherwise engaged in various labors; occasionally a flash of humor will jolt the sobriety of the scene. Enter Exit is Crocquet’s tender tribute to South African character.
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FORMAT: Hardback, 11.75 x 9.5 in. / 120 pgs / 50 duotone.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9783775720847
PUBLISHER: Hatje Cantz
AVAILABLE: 3/1/2008
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| Pierre Crocquet de Rosemond
Enter Exit Published by Hatje Cantz.
Text by Eugen Blume, Preface by Rick Wester. | South Africa has seen dramatic recent changes in its history, so that in today's post-apartheid society, where division is still evident but now set primarily along economic lines, it is a country with which both Third and First Worlds can identify. In Enter Exit Pierre Crocquet de Rosemond, born in 1971 in Cape Town, has recorded the daily life of a rural community in his native South Africa. His black-and-white images are largely portraits of individuals, both single and grouped, but always posed and portrayed existentially rather than culturally, so that their common qualities are emphasized over and above their differences. These individuals are mostly photographed facing the camera in direct dialogue, although some images depict people otherwise engaged in various labors; occasionally a flash of humor will jolt the sobriety of the scene. Enter Exit is Crocquet’s tender tribute to South African character.
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