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| | BOOK FORMAT Hardback, 11.75 x 9.5 in. / 120 pgs / 50 duotone. PUBLISHING STATUS Pub Date 3/1/2008 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2008 p. 197 PRODUCT DETAILS ISBN 9783775720847 TRADE List Price: $55.00 CDN $65.00 AVAILABILITY Not available | TERRITORY NA LA | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Pierre Crocquet de RosemondEnter ExitText by Eugen Blume, Preface by Rick Wester.
South Africa has seen dramatic recent changes in its history, so that in today's post-apartheid society, where division is still evident but now set primarily along economic lines, it is a country with which both Third and First Worlds can identify. In Enter Exit Pierre Crocquet de Rosemond, born in 1971 in Cape Town, has recorded the daily life of a rural community in his native South Africa. His black-and-white images are largely portraits of individuals, both single and grouped, but always posed and portrayed existentially rather than culturally, so that their common qualities are emphasized over and above their differences. These individuals are mostly photographed facing the camera in direct dialogue, although some images depict people otherwise engaged in various labors; occasionally a flash of humor will jolt the sobriety of the scene. Enter Exit is Crocquet’s tender tribute to South African character.
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FORMAT: Hardback, 11.75 x 9.5 in. / 120 pgs / 50 duotone. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $65 ISBN: 9783775720847 PUBLISHER: Hatje Cantz AVAILABLE: 3/1/2008 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2008 Page 197 | PRESS INQUIRIES
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| Pierre Crocquet de Rosemond Enter Exit Published by Hatje Cantz. Text by Eugen Blume, Preface by Rick Wester. South Africa has seen dramatic recent changes in its history, so that in today's post-apartheid society, where division is still evident but now set primarily along economic lines, it is a country with which both Third and First Worlds can identify. In Enter Exit Pierre Crocquet de Rosemond, born in 1971 in Cape Town, has recorded the daily life of a rural community in his native South Africa. His black-and-white images are largely portraits of individuals, both single and grouped, but always posed and portrayed existentially rather than culturally, so that their common qualities are emphasized over and above their differences. These individuals are mostly photographed facing the camera in direct dialogue, although some images depict people otherwise engaged in various labors; occasionally a flash of humor will jolt the sobriety of the scene. Enter Exit is Crocquet’s tender tribute to South African character.
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