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| | | | Johanna BillingLook Behind Us, A Blue SkyEdited by Philipp Kaiser. Text by Philipp Kaiser, Polly Staple, Karl Holmqvist, Interview by Helena Selder.
The video works of the Swedish artist and 2007 Documenta participant Johanna Billing, born in 1973, occupy an unusual terrain between documentary and staged scientific experiment. Billing depicts the rituals of society by filming, for example, a group of young people as they reconstruct a long-forgotten experiment, or a group of artists singing a melancholy ballad together in a gesture of solidarity. By focusing on the dialectical interplay between the individual and the community, Billing reveals processes of social erosion--but without asserting emphatic judgment of these processes. The artist’s video works--among them the well-known works You Don't Love Me Yet (2003) and Magical World (2005)--have been shown in many international group exhibitions, but this publication is the first to provide a comprehensive overview of her profoundly atmospheric productions.
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FORMAT: Fine binding, 6.25 x 9 in. / 256 pgs / 183 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9783775720700
PUBLISHER: Hatje Cantz
AVAILABLE: 2/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2008 Page 152 | PRESS INQUIRIES
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| Johanna Billing
Look Behind Us, A Blue Sky Published by Hatje Cantz.
Edited by Philipp Kaiser. Text by Philipp Kaiser, Polly Staple, Karl Holmqvist, Interview by Helena Selder. The video works of the Swedish artist and 2007 Documenta participant Johanna Billing, born in 1973, occupy an unusual terrain between documentary and staged scientific experiment. Billing depicts the rituals of society by filming, for example, a group of young people as they reconstruct a long-forgotten experiment, or a group of artists singing a melancholy ballad together in a gesture of solidarity. By focusing on the dialectical interplay between the individual and the community, Billing reveals processes of social erosion--but without asserting emphatic judgment of these processes. The artist’s video works--among them the well-known works You Don't Love Me Yet (2003) and Magical World (2005)--have been shown in many international group exhibitions, but this publication is the first to provide a comprehensive overview of her profoundly atmospheric productions.
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