On Alexandre’s politically nuanced painting cycle affirming Black iconicity
Published for his first North American solo exhibition, this catalog presents Brazilian artist Maxwell Alexandre’s (born 1990) ongoing series Pardo é Papel. Suspended from the ceiling, Alexandre’s large-scale paintings portray striking scenes of communal leisure interspersed with religious and art-historical imagery. Pop-cultural symbols appear alongside these images, including depictions of Black cultural icons such as Beyoncé, Nina Simone and Elza Soares, and commercial products from his childhood such as popular plastic blue Capri pools, Danone yogurt and the chocolate drink Toddynho. Alexandre paints his Black subjects on brown craft paper—pardo, in Portuguese. Although the main series title translates directly as “brown is paper” to reference the pardo paper itself, historically the term holds double significance as an ambiguous racial category in Brazil. Alexandre uses pardo paper to affirm and empower Blackness.
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FORMAT: Hbk, 7.5 x 10.25 in. / 148 pgs / 99 color. LIST PRICE: U.S. $49.00 LIST PRICE: CANADA $69 ISBN: 9783753303093 PUBLISHER: Walther König, Köln AVAILABLE: 4/11/2023 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR
Maxwell Alexandre: Pardo é Papel The Glorious Victory and New Power
Published by Walther König, Köln. Edited by Alessandra Gómez.
On Alexandre’s politically nuanced painting cycle affirming Black iconicity
Published for his first North American solo exhibition, this catalog presents Brazilian artist Maxwell Alexandre’s (born 1990) ongoing series Pardo é Papel. Suspended from the ceiling, Alexandre’s large-scale paintings portray striking scenes of communal leisure interspersed with religious and art-historical imagery. Pop-cultural symbols appear alongside these images, including depictions of Black cultural icons such as Beyoncé, Nina Simone and Elza Soares, and commercial products from his childhood such as popular plastic blue Capri pools, Danone yogurt and the chocolate drink Toddynho. Alexandre paints his Black subjects on brown craft paper—pardo, in Portuguese. Although the main series title translates directly as “brown is paper” to reference the pardo paper itself, historically the term holds double significance as an ambiguous racial category in Brazil. Alexandre uses pardo paper to affirm and empower Blackness.
