Edited by Silke von Berswordt-Wallrabe, Jörg-Uwe Neumann, Agnes Tieze. Text by Norbert Lammert, Karen van den Berg, Silke von Berswordt-Wallrabe, et al.
The art of the early 20th-century avant-garde—decried and suppressed by the National Socialists as “degenerate art”—has been widely studied and exhibited to the public in recent decades. The art favored by the Nazis—realistic paintings of fair-haired maidens and pale, strong bodies—silently disappeared into warehouses after 1945, rarely resurfacing in public exhibitions in Germany or abroad. Nazi art was intimately connected to the regime’s ideology and propaganda; it was supposed to stabilize the system, hearten in difficult times and communicate values such as a fighting spirit, family and tradition. Compliant Art: Art and Politics in the National Socialist Era, a rare study of the official art of the time, documents the period’s conflicts, juxtaposing works that conformed to Nazi ideology with those by persecuted artists, and investigates what happened to the “good,” compliant artists after the end of the war.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Pbk, 9 x 11 in. / 240 pgs / 95 color / 17 b&w. LIST PRICE: U.S. $49.95 LIST PRICE: CANADA $67.5 ISBN: 9783735602886 PUBLISHER: Kerber AVAILABLE: 8/22/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: NA LA ME
Compliant Art Art and Politics in the National Socialist Era
Published by Kerber. Edited by Silke von Berswordt-Wallrabe, Jörg-Uwe Neumann, Agnes Tieze. Text by Norbert Lammert, Karen van den Berg, Silke von Berswordt-Wallrabe, et al.
The art of the early 20th-century avant-garde—decried and suppressed by the National Socialists as “degenerate art”—has been widely studied and exhibited to the public in recent decades. The art favored by the Nazis—realistic paintings of fair-haired maidens and pale, strong bodies—silently disappeared into warehouses after 1945, rarely resurfacing in public exhibitions in Germany or abroad. Nazi art was intimately connected to the regime’s ideology and propaganda; it was supposed to stabilize the system, hearten in difficult times and communicate values such as a fighting spirit, family and tradition. Compliant Art: Art and Politics in the National Socialist Era, a rare study of the official art of the time, documents the period’s conflicts, juxtaposing works that conformed to Nazi ideology with those by persecuted artists, and investigates what happened to the “good,” compliant artists after the end of the war.
