Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
Edited by Silke von Berswordt-Wallrabe, Jörg-Uwe Neumann, Agnes Tieze. Text by Norbert Lammert, Karen van den Berg, Silke von Berswordt-Wallrabe, et al.
The art of the early 20th-century avant-garde—decried and suppressed by the National Socialists as “degenerate art”—has been widely studied and exhibited to the public in recent decades. The art favored by the Nazis—realistic paintings of fair-haired maidens and pale, strong bodies—silently disappeared into warehouses after 1945, rarely resurfacing in public exhibitions in Germany or abroad. Nazi art was intimately connected to the regime’s ideology and propaganda; it was supposed to stabilize the system, hearten in difficult times and communicate values such as a fighting spirit, family and tradition. Compliant Art: Art and Politics in the National Socialist Era, a rare study of the official art of the time, documents the period’s conflicts, juxtaposing works that conformed to Nazi ideology with those by persecuted artists, and investigates what happened to the “good,” compliant artists after the end of the war.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
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FORMAT: Pbk, 9 x 11 in. / 240 pgs / 95 color / 17 b&w. LIST PRICE: U.S. $49.95 LIST PRICE: CANADA $67.5 ISBN: 9783735602886 PUBLISHER: Kerber AVAILABLE: 8/22/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA ME
Compliant Art Art and Politics in the National Socialist Era
Published by Kerber. Edited by Silke von Berswordt-Wallrabe, Jörg-Uwe Neumann, Agnes Tieze. Text by Norbert Lammert, Karen van den Berg, Silke von Berswordt-Wallrabe, et al.
The art of the early 20th-century avant-garde—decried and suppressed by the National Socialists as “degenerate art”—has been widely studied and exhibited to the public in recent decades. The art favored by the Nazis—realistic paintings of fair-haired maidens and pale, strong bodies—silently disappeared into warehouses after 1945, rarely resurfacing in public exhibitions in Germany or abroad. Nazi art was intimately connected to the regime’s ideology and propaganda; it was supposed to stabilize the system, hearten in difficult times and communicate values such as a fighting spirit, family and tradition. Compliant Art: Art and Politics in the National Socialist Era, a rare study of the official art of the time, documents the period’s conflicts, juxtaposing works that conformed to Nazi ideology with those by persecuted artists, and investigates what happened to the “good,” compliant artists after the end of the war.
