In 1960, Brasilia was celebrated as the realisation of an urban planning vision based on designs by Lucio Costa and Oscar Niemeyer. At the same time, the sectoral city of Chandigarh was rising according to plans by Le Corbusier. The “test tube city” arose as an export of modernity from a Western planning euphoria that displayed utopian traits. In both cities, foreign architecture entered into a harmonious relationship with indigenous culture, forming new and independent identities.
This publication addresses the question of how modernism has been appropriated in both cities, and how the people who live in them deal with it. Commonalities and differences are identified and images of everyday urban life showcased. On the initiative of the publisher, the young photographer Iwan Baan has taken stock of contemporary life in both cities. With commentary in the form of essays by Cees Nooteboom on the photographs and by Martino Stierli on the architectural and planning history.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Pbk, 9.5 x 11.75 in. / 240 pgs / 200 images. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $79 ISBN: 9783037782286 PUBLISHER: Lars Müller Publishers AVAILABLE: 8/1/2010 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA ONLY
Published by Lars Müller Publishers. By Iwan Baan.
In 1960, Brasilia was celebrated as the realisation of an urban planning vision based on designs by Lucio Costa and Oscar Niemeyer. At the same time, the sectoral city of Chandigarh was rising according to plans by Le Corbusier. The “test tube city” arose as an export of modernity from a Western planning euphoria that displayed utopian traits. In both cities, foreign architecture entered into a harmonious relationship with indigenous culture, forming new and independent identities.
This publication addresses the question of how modernism has been appropriated in both cities, and how the people who live in them deal with it. Commonalities and differences are identified and images of everyday urban life showcased. On the initiative of the publisher, the young photographer Iwan Baan has taken stock of contemporary life in both cities. With commentary in the form of essays by Cees Nooteboom on the photographs and by Martino Stierli on the architectural and planning history.
