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| | | | EDITIONS DILECTA/EDITIONS DU MUSéE DU LOUVREWilliam Kentridge: Carnets D'EgypteText by William Kentridge. Afterword by Marie-Laure Bernadac.
Carnets D'Egypte is William Kentridge's multimedia excavation of one of his favorite subjects: ancient Egypt. "Egypt has to be both believed and disbelieved at the same time," he proposes, explaining his attraction to its intermingling of myth and history in the era of the pharaohs; here, he approaches this intermingling, and attendant questions of orientalism, in works that draw on western traditions of depicting Egypt, by such artists as Carracci, Delacroix, Le Brun, Poussin and Degas. In a scrapbook dossier composed of charcoal and pen-and-ink drawings, collages, animated films and performance pieces, Kentridge investigates such mythically proportioned Egyptian roles as the scribe, the architect and the artist, often inserting himself into the dialogue as a visible presence. This beautifully made book, which includes a DVD with three films, affirms Kentridge at his eclectic and erudite best.
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FORMAT: Hbk, 8.75 x 6.25 in. / 80 pgs / 85 color / DVD (PAL Only).
LIST PRICE: U.S. $32.00
LIST PRICE: CANADA $42.5
ISBN: 9782916275857
PUBLISHER: Editions Dilecta/Editions du Musée du Louvre
AVAILABLE: 2/28/2011
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2011 Page 83 | PRESS INQUIRIES
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| William Kentridge: Carnets D'Egypte Published by Editions Dilecta/Editions du Musée du Louvre.
Text by William Kentridge. Afterword by Marie-Laure Bernadac. Carnets D'Egypte is William Kentridge's multimedia excavation of one of his favorite subjects: ancient Egypt. "Egypt has to be both believed and disbelieved at the same time," he proposes, explaining his attraction to its intermingling of myth and history in the era of the pharaohs; here, he approaches this intermingling, and attendant questions of orientalism, in works that draw on western traditions of depicting Egypt, by such artists as Carracci, Delacroix, Le Brun, Poussin and Degas. In a scrapbook dossier composed of charcoal and pen-and-ink drawings, collages, animated films and performance pieces, Kentridge investigates such mythically proportioned Egyptian roles as the scribe, the architect and the artist, often inserting himself into the dialogue as a visible presence. This beautifully made book, which includes a DVD with three films, affirms Kentridge at his eclectic and erudite best.
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