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THE MILTON RESNICK AND PAT PASSLOF FOUNDATION
Milton Resnick: Paintings 1937–1987
Text by Nathan Kernan, Geoffrey Dorfman.
This catalog is published for a retrospective exhibition of paintings by Milton Resnick (1917–2004), the inaugural exhibition at the Milton Resnick and Pat Passlof Foundation exhibition space, located in Resnick's former studio building at 87 Eldridge Street in Manhattan. It is the first retrospective of his work to be held in New York City, where he made his home. The catalog doubles as a monograph on Resnick's work, documenting his over-50-year career, beginning as a member of the first generation of abstract expressionist painters in the late 1930s, and developing into a painter of thickly textured, seemingly monochromatic paintings of powerful emotional force. The exhibition is drawn largely from the Foundation's holdings, but also includes major loans from museum and private collections. The book also reproduces a half-dozen major works not included in the exhibition.
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FORMAT: Hbk, 9 x 11.75 in. / 148 pgs / 59 color / 15 b&w. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $54 GBP £35.00 ISBN: 9781944316105 PUBLISHER: The Milton Resnick and Pat Passlof Foundation AVAILABLE: 5/22/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by The Milton Resnick and Pat Passlof Foundation. Text by Nathan Kernan, Geoffrey Dorfman.
This catalog is published for a retrospective exhibition of paintings by Milton Resnick (1917–2004), the inaugural exhibition at the Milton Resnick and Pat Passlof Foundation exhibition space, located in Resnick's former studio building at 87 Eldridge Street in Manhattan. It is the first retrospective of his work to be held in New York City, where he made his home. The catalog doubles as a monograph on Resnick's work, documenting his over-50-year career, beginning as a member of the first generation of abstract expressionist painters in the late 1930s, and developing into a painter of thickly textured, seemingly monochromatic paintings of powerful emotional force. The exhibition is drawn largely from the Foundation's holdings, but also includes major loans from museum and private collections. The book also reproduces a half-dozen major works not included in the exhibition.
