| | BOOK FORMAT
Clth, 7.25 x 10.25 in. / 96 pgs / 150 color. PUBLISHING STATUS
Pub Date 8/23/2016
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2017 p. 110 PRODUCT DETAILS
ISBN 9781942607373 TRADE
List Price: $40.00 CDN $54.00 GBP £35.00 AVAILABILITY
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| | | Shio Kusaka: 32014, 2015, 2016
 This is the first monograph on Japanese born, Los Angeles–based artist Shio Kusaka (born 1972), who adorns her ceramics with marks, grids, stripes and various scenes, inscribed into the vessels or delineated by color. Her installations combine dozens of these ceramics in quiet but arresting vignettes: Kusaka’s works are also distinguished by their handmade aesthetic, evident in occasional impressions of the artist’s hands and visible glaze drips. "Shio employs the prosaic yet historical clay pot but plays with the idea of difference in repetition," says curator Michelle Grabner.
This book is the first in an ongoing series that places the artist’s work against colorful backdrops and features asymmetrical crops and stark cutouts. The publication is designed to be read from right to left, in the Japanese style.
"38 (mark 33)" (2014) is reproduced from 'Shio Kusaka: 3.' |
|  | STATUS: Out of stock indefinitely. | |
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FORMAT: Clth, 7.25 x 10.25 in. / 96 pgs / 150 color.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $54
GBP £35.00
ISBN: 9781942607373
PUBLISHER: Karma, New York
AVAILABLE: 8/23/2016
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2017 Page 110 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Shio Kusaka: 3
2014, 2015, 2016 Published by Karma, New York. | This is the first monograph on Japanese born, Los Angeles–based artist Shio Kusaka (born 1972), who adorns her ceramics with marks, grids, stripes and various scenes, inscribed into the vessels or delineated by color. Her installations combine dozens of these ceramics in quiet but arresting vignettes: Kusaka’s works are also distinguished by their handmade aesthetic, evident in occasional impressions of the artist’s hands and visible glaze drips. "Shio employs the prosaic yet historical clay pot but plays with the idea of difference in repetition," says curator Michelle Grabner.
This book is the first in an ongoing series that places the artist’s work against colorful backdrops and features asymmetrical crops and stark cutouts. The publication is designed to be read from right to left, in the Japanese style.
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