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| | | | LinderText by Dawn Ades.
 Linder’s photomontages violate, liberate and celebrate the human body to question the mechanics of gender and its ties to consumer culture and media.
Linder is best known for her pioneering photomontages that replace the sexualised imagery of soft-focus pornographic centrefolds with commodities of domestic middle-class life. Surprising, humorous, and at times shocking, these precise compositions bring to light the powerful fantasies and repressions that underlie our social expectations of identity.
Spanning almost four decades, this monograph interweaves numerous photomontage series throughout Linder’s career, demonstrating the artist’s manipulation of disparate source material – from brightly saturated male pornographic imagery to softly lit portraits of ballerinas. Accompanying over 250 illustrations, a conversation between the artist and Dawn Ades reconciles her work with the history of photomontage.
Featured spread is courtesy of graphic design studio, A Practice for Everyday Life. |
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| | | |  | RIDINGHOUSEISBN: 9781909932098
USD $60.00 | CAN $85Pub Date: 7/1/2015
Active | In stock
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FORMAT: Clth, 8.88 x 11.25 in. / 270 pgs / 255 color.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $85
ISBN: 9781909932098
PUBLISHER: Ridinghouse
AVAILABLE: 7/1/2015
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Linder Published by Ridinghouse.
Text by Dawn Ades. Linder’s photomontages violate, liberate and celebrate the human body to question the mechanics of gender and its ties to consumer culture and media.
Linder is best known for her pioneering photomontages that replace the sexualised imagery of soft-focus pornographic centrefolds with commodities of domestic middle-class life. Surprising, humorous, and at times shocking, these precise compositions bring to light the powerful fantasies and repressions that underlie our social expectations of identity.
Spanning almost four decades, this monograph interweaves numerous photomontage series throughout Linder’s career, demonstrating the artist’s manipulation of disparate source material – from brightly saturated male pornographic imagery to softly lit portraits of ballerinas. Accompanying over 250 illustrations, a conversation between the artist and Dawn Ades reconciles her work with the history of photomontage.
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