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| |   |   | Johannes Albers: Kultur Industrie Krise!Text by Richard Milward. Interviews by Wolfgang Ulrich.
This book catalogues a selection of work by German artist Johannes Albers that was exhibited in Berlin in November 2008. Albers' works feature in Damien Hirst's Murderme art collection, including several of the pieces illustrated in the book. Reproducing images of popular culture and everyday domesticity, Johannes Albers' work seems to simultaneously praise and poke fun at modern-day interests and values. Albers' work has encompassed a range of motifs, from bathmats to band tapes, ping-pong tables to Stanley knives. His incessant reproduction of these images reflects – and criticises – the disposability of much of today's media culture and marketing imagery.
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FORMAT: Pbk, 9.5 x 11.75 in. / 32 pgs / 7 color. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $60 ISBN: 9781906957063 PUBLISHER: Other Criteria Books/Murderme AVAILABLE: 9/1/2009 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA | D.A.P. CATALOG: SPRING 2015 Page 208 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Johannes Albers: Kultur Industrie Krise! Published by Other Criteria Books/Murderme. Text by Richard Milward. Interviews by Wolfgang Ulrich. This book catalogues a selection of work by German artist Johannes Albers that was exhibited in Berlin in November 2008. Albers' works feature in Damien Hirst's Murderme art collection, including several of the pieces illustrated in the book. Reproducing images of popular culture and everyday domesticity, Johannes Albers' work seems to simultaneously praise and poke fun at modern-day interests and values. Albers' work has encompassed a range of motifs, from bathmats to band tapes, ping-pong tables to Stanley knives. His incessant reproduction of these images reflects – and criticises – the disposability of much of today's media culture and marketing imagery.
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