| | BOOK FORMAT Cloth, 8 x 10.5 / 314 pgs / Illustrated throughout PUBLISHING STATUS Pub Date 4/1/2011 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: Publisher Backlist PRODUCT DETAILS ISBN 9781905711727 TRADE List Price: $60.00 CAD $72.00 AVAILABILITY Not available | TERRITORY NA ONLY | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Modern British SculptureText by Penelope Curtis.
From Jacob Epstein to Sarah Lucas, this magnificent book explores sculpture in Britain over the last 130 years. Including works by varied artists such as Frederic Lord Leighton, Alfred Gilbert, Eric Gill, Henri Gaudier-Brzeska, Ben Nicholson, Barbara Hepworth, Henry Moore, Anthony Caro, Richard Long, and Damien Hirst, the book highlights the dialogues between British and international sculpture, examines the importance of the country's landscape as a location and medium, and looks at the perennial choice faced by the sculptor between figuration and abstraction. Sculpture has changed dramatically in the last century. This compelling book documents these seismic shifts.
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FORMAT: Cloth, 8 x 10.5 / 314 pgs / Illustrated throughout LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $72 ISBN: 9781905711727 PUBLISHER: Royal Academy Publications AVAILABLE: 4/1/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA ONLY | D.A.P. CATALOG: lisher Backlist 0000 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Modern British Sculpture Published by Royal Academy Publications. Text by Penelope Curtis. From Jacob Epstein to Sarah Lucas, this magnificent book explores sculpture in Britain over the last 130 years. Including works by varied artists such as Frederic Lord Leighton, Alfred Gilbert, Eric Gill, Henri Gaudier-Brzeska, Ben Nicholson, Barbara Hepworth, Henry Moore, Anthony Caro, Richard Long, and Damien Hirst, the book highlights the dialogues between British and international sculpture, examines the importance of the country's landscape as a location and medium, and looks at the perennial choice faced by the sculptor between figuration and abstraction. Sculpture has changed dramatically in the last century. This compelling book documents these seismic shifts.
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