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| |   |   | AMERICAS SOCIETY/APCAntonio Manuel: I Want to Act, Not RepresentEdited by Claudia Calirman, Alexandra Garcia, Gabriela Rangel. Foreword by Susan Segal. Text by Claudia Calirman, Gabriela Rangel, Judith Rodenbeck, Michael Asbury. Interview by Beverly Adams.
Antonio Manuel (born 1947) helped define the groundbreaking neo-avant-garde movement that emerged in Rio de Janeiro in the 1960s. Making his mark in 1970 at the height of Brazil’s military dictatorship with “The Body is the Work” (in which he submitted his naked body to the Museu de Arte Moderna), Manuel’s conceptual and performance work and manipulation of mass-media materials would expand the possibilities of experimental art as a means to political subversion and liberation. Assembled with the direct collaboration of the artist himself, Antonio Manuel: I Want to Act, Not Represent! is the first U.S. publication devoted to his work, and includes a range of never before seen images and documents, a substantive interview, and a facsimile reproduction of Phallic Weapon, a photo-novel starring Hélio Oiticica, which has never been published outside of Brazil.
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FORMAT: Hbk, 7.25 x 10.5 in. / 156 pgs / 50 color / 30 b&w. LIST PRICE: U.S. $34.00 LIST PRICE: CANADA $45 GBP £30.00 ISBN: 9781879128408 PUBLISHER: Americas Society/APC AVAILABLE: 6/30/2012 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2012 Page 108 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Antonio Manuel: I Want to Act, Not Represent Published by Americas Society/APC. Edited by Claudia Calirman, Alexandra Garcia, Gabriela Rangel. Foreword by Susan Segal. Text by Claudia Calirman, Gabriela Rangel, Judith Rodenbeck, Michael Asbury. Interview by Beverly Adams. Antonio Manuel (born 1947) helped define the groundbreaking neo-avant-garde movement that emerged in Rio de Janeiro in the 1960s. Making his mark in 1970 at the height of Brazil’s military dictatorship with “The Body is the Work” (in which he submitted his naked body to the Museu de Arte Moderna), Manuel’s conceptual and performance work and manipulation of mass-media materials would expand the possibilities of experimental art as a means to political subversion and liberation. Assembled with the direct collaboration of the artist himself, Antonio Manuel: I Want to Act, Not Represent! is the first U.S. publication devoted to his work, and includes a range of never before seen images and documents, a substantive interview, and a facsimile reproduction of Phallic Weapon, a photo-novel starring Hélio Oiticica, which has never been published outside of Brazil.
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