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INSTITUTE 193
Eric Rhein: Lifelines
Text by Paul Michael Brown, Mark Doty, Eric Rhein.
Commemorating a crisis: the first monograph on Eric Rhein, poetical chronicler of the AIDS epidemic in photos, drawings and assemblages
This is the first book on the work of American artist Eric Rhein (born 1961), whose career has spanned four decades. This unique monograph-memoir features intimate photographs, taken between 1989 and 2012. The self-portraits and images of friends and lovers correspond to the period spanning Rhein’s HIV diagnosis, his subsequent near death and his experience of a renewed sense of vitality. New York Times critic Holland Cotter wrote of Rhein’s work: “the combination of art and craft, delicacy and resiliency, feminine and masculine, is exquisitely wrought and is, as it should be, seductive but disturbing.”
As a personal response to the AIDS crisis, Rhein’s compelling portraits highlight tenderness and care as life-saving instincts.
Included are related bodies of work: delicate assemblages and wire drawings, often serving as memorials for fallen friends. Rhein's photography, wire drawings, sculpture and watercolors honor love, touch, connection to nature, and familial history. Rhein mines collective and personal narratives, formulating pieces that are at once poetic and documentarian. Mark Doty and Paul Michael Brown contribute essays.
STATUS: Forthcoming | 9/22/2020
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FORMAT: Hbk, 9.5 x 8.5 in. / 112 pgs / 84 color. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $56 GBP £35.00 ISBN: 9781732848238 PUBLISHER: Institute 193 AVAILABLE: 9/22/2020 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Forthcoming AVAILABILITY: Awaiting stock TERRITORY: WORLD
Commemorating a crisis: the first monograph on Eric Rhein, poetical chronicler of the AIDS epidemic in photos, drawings and assemblages
Published by Institute 193. Text by Paul Michael Brown, Mark Doty, Eric Rhein.
This is the first book on the work of American artist Eric Rhein (born 1961), whose career has spanned four decades. This unique monograph-memoir features intimate photographs, taken between 1989 and 2012. The self-portraits and images of friends and lovers correspond to the period spanning Rhein’s HIV diagnosis, his subsequent near death and his experience of a renewed sense of vitality. New York Times critic Holland Cotter wrote of Rhein’s work: “the combination of art and craft, delicacy and resiliency, feminine and masculine, is exquisitely wrought and is, as it should be, seductive but disturbing.”
As a personal response to the AIDS crisis, Rhein’s compelling portraits highlight tenderness and care as life-saving instincts.
Included are related bodies of work: delicate assemblages and wire drawings, often serving as memorials for fallen friends. Rhein's photography, wire drawings, sculpture and watercolors honor love, touch, connection to nature, and familial history. Rhein mines collective and personal narratives, formulating pieces that are at once poetic and documentarian. Mark Doty and Paul Michael Brown contribute essays.
