Text by Derek Conrad Murray, Steven G. Fullwood, Tiana Reid. Contributions by Sadie Barnette, Alanna Fields, S*an D. Henry-Smith, Paul Mpagi Sepuya, Ariel Goldberg.
The first monograph on Darrel Ellis' expressive transformations of photographic memory
Known for his experimental approach to painting and photography, New York–based mixed-media artist Darrel Ellis (1958–92) explored the psychic terrain between surface, memory and lyric self-representation. Working in part from his late father’s photographs, Ellis projected, deconstructed and reimaged his family history, creating uncanny portraits marked by voids and warps. His commitment to the self-portrait was no less inspired, particularly after his experiences of being photographed by Robert Mapplethorpe and Peter Hujar. Ellis was on the cusp of major recognition when his life was cut short by AIDS in 1992, at the age of 33. This monograph provides the most comprehensive account of the artist to date, including 80 plates that chart his development from figurative painting to photographic experimentation and his later preoccupation with self-portraiture. Essays and an illustrated chronology featuring previously unseen excerpts from the artist’s journals provide new insights into Ellis’ life and work.
Featured image is reproduced from 'Darrel Ellis'.
PRAISE AND REVIEWS
Bookforum
Sarah Moroz
Addresses the myriad components of identity through patrimony, race, self-perception, and aesthetic tampering.
New Yorker
Chris Wiley
Darrel Ellis made a wrenchingly heartfelt body of work based on his late father’s photographs. They’ve remained obscure until now.
STATUS: Forthcoming | 2/15/2022
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FORMAT: Hbk, 9.5 x 11 in. / 208 pgs / 210 color. LIST PRICE: U.S. $49.95 LIST PRICE: CANADA $67.95 GBP £39.99 ISBN: 9781732641556 PUBLISHER: Visual AIDS, New York AVAILABLE: 2/15/2022 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Forthcoming AVAILABILITY: Awaiting stock TERRITORY: WORLD
The first monograph on Darrel Ellis' expressive transformations of photographic memory
Published by Visual AIDS, New York. Text by Derek Conrad Murray, Steven G. Fullwood, Tiana Reid. Contributions by Sadie Barnette, Alanna Fields, S*an D. Henry-Smith, Paul Mpagi Sepuya, Ariel Goldberg.
Known for his experimental approach to painting and photography, New York–based mixed-media artist Darrel Ellis (1958–92) explored the psychic terrain between surface, memory and lyric self-representation. Working in part from his late father’s photographs, Ellis projected, deconstructed and reimaged his family history, creating uncanny portraits marked by voids and warps. His commitment to the self-portrait was no less inspired, particularly after his experiences of being photographed by Robert Mapplethorpe and Peter Hujar. Ellis was on the cusp of major recognition when his life was cut short by AIDS in 1992, at the age of 33.
This monograph provides the most comprehensive account of the artist to date, including 80 plates that chart his development from figurative painting to photographic experimentation and his later preoccupation with self-portraiture. Essays and an illustrated chronology featuring previously unseen excerpts from the artist’s journals provide new insights into Ellis’ life and work.
