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| | | | Julije Knifer: Collages for MeandersEdited by Cay Sophie Rabinowitz. Text by Zvonko Makovic, Christian Rattemeyer.
 A geometric motif pursued through collage by a celebrated Croatian protagonist of concrete artCroatian artist Julije Knifer (1924–2004) is recognized as one of the most prominent artists related to concrete art after 1945, as well as a founding member of the 1960s art collective known as the Gorgona Group. Over a career spanning five decades, Knifer developed a singularly restrained practice focusing on the variation of a single visual motif: the meander. Knifer's meanders have been interpreted differently depending on the period in which they appeared: first in the context of geometric abstraction and neo-constructivism of the “New Tendencies” of the 1960s. Today, they are more often understood as a gesture of resistance, with their asceticism and interest in the absurdism of anti-art and the neo avant-garde.
This book focuses on a group of collages, produced in the late 1950s and early 1960s, that illustrates the development of the meander motif at a pivotal moment in Knifer's career.
Featured image is reproduced from ‘Julije Knifer: Collages for Meanders'. |
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FORMAT: Hbk, 7.5 x 10 in. / 186 pgs / 90 color.
LIST PRICE: U.S. $65.00
LIST PRICE: CANADA $91
GBP £57.00
ISBN: 9780991660865
PUBLISHER: OSMOS Books
AVAILABLE: 1/31/2023
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| Julije Knifer: Collages for Meanders Published by OSMOS Books.
Edited by Cay Sophie Rabinowitz. Text by Zvonko Makovic, Christian Rattemeyer. A geometric motif pursued through collage by a celebrated Croatian protagonist of concrete art Croatian artist Julije Knifer (1924–2004) is recognized as one of the most prominent artists related to concrete art after 1945, as well as a founding member of the 1960s art collective known as the Gorgona Group. Over a career spanning five decades, Knifer developed a singularly restrained practice focusing on the variation of a single visual motif: the meander. Knifer's meanders have been interpreted differently depending on the period in which they appeared: first in the context of geometric abstraction and neo-constructivism of the “New Tendencies” of the 1960s. Today, they are more often understood as a gesture of resistance, with their asceticism and interest in the absurdism of anti-art and the neo avant-garde.
This book focuses on a group of collages, produced in the late 1950s and early 1960s, that illustrates the development of the meander motif at a pivotal moment in Knifer's career.
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