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Circle of FireBOOK FORMAT
Clth, 11 x 14 in. / 84 pgs / 37 bw. PUBLISHING STATUS
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| | | CIRCLE OF FIREDennis Feldman: Hollywood Boulevard1969-1972
 For three years, Dennis Feldman (born 1946) repeatedly walked an eight-block stretch from Hollywood and Vine to the Chinese Theater, called the Walk of Fame, where people flocked to gaze at a sidewalk full of terrazzo stars inlaid with the names of famous (and no longer famous) entertainers. He became obsessed with photographing the characters that gathered there, drawn to the world of stardom, parading their self-made identities--macho and gay, masculine and feminine, biker and hippy--modeled after American archetypes molded by the entertainment industry and the social revolution of the 1960s. Hollywood Boulevard compiles the photographer's large-format, black-and-white portraits into a painfully human character study of social identity and performance.
PRAISE AND REVIEWSNew York Magazine Ian Epstein It’s a time capsule of the long-ago outlandish. n + 1 Erin Sheehy My favorite photos in Hollywood Boulevard are the ones that don’t fit neatly into the time, the place, or the glib narrative of Hollywood, but instead are wildly individual: pictures of waiting, wandering, loitering with friends. |
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| | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 4/7/2015 Featured image is reproduced from Hollywood Boulevard: 1969-1972, the refreshing new photography collection by Dennis Feldman, who captured the seedy side of this most famous of streets before going on to a noted career as a director and screenwriter. Of the photo project, he writes, "I’m driven to photograph places where, as they say, 'the veil between the seen and the unseen is thinnest.' …On Hollywood Boulevard you could see the cracks in the performance: the face through the mask—the truth through the pretense—the doubt through the confidence—the little boy or girl in the adult they became. That’s what I mean by the veil was thinnest. Hollywood is a notorious heartbreaker where only a few dreams come true. And so, over time, most people on the Avenue found themselves all dressed up with nowhere to go... except home if there still was one." continue to blog | FORTHCOMING AND RECENT PHOTOGRAPHY BOOKS |  | Edited with introduction by Randy Kennedy. Conversations with Hugh Edwards, Nan Goldin, Susan Meiselas.KARMA BOOKS, NEW YORKISBN: 9781949172454
USD $35.00 | CAN $49 UK £ 30Pub Date: 12/22/2020
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|  | Edited by Michael Shulman, Tony Nourmand. Foreword by Eli Reed.REEL ART PRESSISBN: 9781909526778
USD $59.95 | CAN $84.95Pub Date: 11/17/2020
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|  | Text by Christopher Bonanos, Christopher George.DAMIANI/INTERNATIONAL CENTER OF PHOTOGRAPHYISBN: 9788862086950
USD $39.95 | CAN $55.95Pub Date: 4/7/2020
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|  | THE MUSEUM OF MODERN ART, NEW YORKISBN: 9781633451049
USD $55.00 | CAN $77Pub Date: 2/25/2020
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|  | Text by Robin Muir.NATIONAL PORTRAIT GALLERY, LONDONISBN: 9781855147720
USD $49.95 | CAN $69.95Pub Date: 5/12/2020
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|  | Edited by Matthieu Humery. Text by Javier Cercas, Sylvie Aubenas, Annie Leibovitz, François Pinault, Wim Wenders.MARSILIOISBN: 9788829704200
USD $65.00 | CAN $92 UK £ 57Pub Date: 8/25/2020
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|  | Text by Kerry Brougher, Andy Grundberg, Anne W. Tucker.STEIDLISBN: 9783958296695
USD $125.00 | CAN $175Pub Date: 2/11/2020
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|  | Edited with text by Sarah Hermanson Meister. Foreword by Peter W. Kunhardt Jr., Glenn D. Lowry. Text by Nicole Fleetwood, Bryan Stevenson.STEIDL/THE GORDON PARKS FOUNDATIONISBN: 9783958296961
USD $40.00 | CAN $56Pub Date: 6/16/2020
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|  | Edited by Michael Shulman, Tony Nourmand. Foreword by Studs Terkel.REEL ART PRESSISBN: 9781909526709
USD $59.95 | CAN $84.95Pub Date: 10/26/2021
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|  | Text by Robert Adams, William Blake, Emily Dickinson.STEIDLISBN: 9783958296848
USD $60.00 | CAN $85Pub Date: 2/9/2021
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|  | STEIDLISBN: 9783958293069
USD $30.00 | CAN $42Pub Date: 11/10/2020
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|  | By Hank O’Neal.STEIDLISBN: 9783958297012
USD $50.00 | CAN $69.95Pub Date: 2/16/2021
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FORMAT: Clth, 11 x 14 in. / 84 pgs / 37 b&w.
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ISBN: 9780986204500
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| Dennis Feldman: Hollywood Boulevard
1969-1972 Published by Circle of Fire. | For three years, Dennis Feldman (born 1946) repeatedly walked an eight-block stretch from Hollywood and Vine to the Chinese Theater, called the Walk of Fame, where people flocked to gaze at a sidewalk full of terrazzo stars inlaid with the names of famous (and no longer famous) entertainers. He became obsessed with photographing the characters that gathered there, drawn to the world of stardom, parading their self-made identities--macho and gay, masculine and feminine, biker and hippy--modeled after American archetypes molded by the entertainment industry and the social revolution of the 1960s. Hollywood Boulevard compiles the photographer's large-format, black-and-white portraits into a painfully human character study of social identity and performance.
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