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| | | | POMONA COLLEGE MUSEUM OF ARTHillary Mushkin: Incendiary TracesEdited with text by Rebecca McGrew. Text by Hillary Mushkin, Susanna Newbury, Sarah Seekatz.
 Incendiary Traces complements the first museum exhibition of Los Angeles–based artist Hillary Mushkin—a unique collective project that interrogates landscape through drawing. This experimental initiative was generated through on-site public “draw-in” events, ongoing research and publication of related materials. Incendiary Traces contextualizes the work done by this project at six different local militarized zones over the past five years. The book includes an introductory text by Rebecca McGrew, an essay by Susanna Newbury discussing the effect of military technology on visualizing conflict, an essay by Sarah Seekatz on the history of Southern California’s date industry and the orientalist fantasies associated with the Coachella Valley desert, and narrative captions by Hillary Mushkin.
"Gulch, US-Mexico border, Border field State Park, San Diego" (2014), by Hillary Mushkin. |
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FORMAT: Hbk, 5.75 x 9.25 in. / 136 pgs / 26 color / 15 duotone / 13 b&w.
LIST PRICE: U.S. $24.95
LIST PRICE: CANADA $33.95
GBP £22.00
ISBN: 9780985625191
PUBLISHER: Pomona College Museum of Art
AVAILABLE: 2/28/2017
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2017 Page 107 | PRESS INQUIRIES
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| Hillary Mushkin: Incendiary Traces Published by Pomona College Museum of Art.
Edited with text by Rebecca McGrew. Text by Hillary Mushkin, Susanna Newbury, Sarah Seekatz. Incendiary Traces complements the first museum exhibition of Los Angeles–based artist Hillary Mushkin—a unique collective project that interrogates landscape through drawing. This experimental initiative was generated through on-site public “draw-in” events, ongoing research and publication of related materials. Incendiary Traces contextualizes the work done by this project at six different local militarized zones over the past five years. The book includes an introductory text by Rebecca McGrew, an essay by Susanna Newbury discussing the effect of military technology on visualizing conflict, an essay by Sarah Seekatz on the history of Southern California’s date industry and the orientalist fantasies associated with the Coachella Valley desert, and narrative captions by Hillary Mushkin.
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