PUBLISHER
The Drawing Center

BOOK FORMAT
Paperback, 6 x 9 in. / 51 pgs / 17 color.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2016 p. 157   

PRODUCT DETAILS
ISBN 9780942324938 FLAT40
List Price: $20.00 CDN $27.95 GBP £17.50

AVAILABILITY
Out of stock

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THE DRAWING CENTER

Rashid Johnson: Anxious Men

Text by Claire Gilman, Jeremy Sigler, Cheryl Johnson-Odim.

Universally accessible and employing common visual tropes such as the monochrome and the grid, Johnson's work is also self-referential, making specific allusion to his upbringing in Chicago and the Afro-centric values of his parents. In Rashid Johnson: Anxious Men, the artist creates a site-specific installation in the Drawing Room gallery. The core of the exhibition is a new series of black-soap-and-wax-on-tile portraits that Johnson calls his “anxious men.” Executed by digging into a waxy surface, they enact a kind of drawing through erasure and represent the first time Johnson has worked figuratively outside of photography or film, and on such a small scale. Whereas Johnson’s previous work has taken a more cerebral approach to questions of race and political identity, the drawn portraits confront the viewer with a visceral immediacy. The portraits are set within a multi-sensory environment that includes wallpaper featuring a photograph of the artist’s father from the year Johnson was born, and an audio sound track comprised of Melvin Van Peebles’s “Love, That’s America,” a song that originally appeared in Peebles’s 1970 film Watermelon Man and that was recently pressed into service by the Occupy Wall Street movement. In this way, the exhibition, documented in this volume, creates an immersive space that implicates not only the artist but also the viewer in its interrogation of selfhood and identity.
Rashid Johnson: Anxious Men

STATUS: Out of stock

Temporarily out of stock pending additional inventory.

RASHID JOHNSON MONOGRAPHS + ARTIST'S BOOKS


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