| | BOOK FORMAT
Clth, 6.75 x 9.75 in. / 210 pgs / 100 color / 30 bw. PUBLISHING STATUS
Pub Date 12/17/2019
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2019 p. 63 PRODUCT DETAILS
ISBN 9780934324878 TRADE
List Price: $49.95 CDN $69.95 GBP £40.00 AVAILABILITY
Not available | EXHIBITION SCHEDULEAspen, CO
Aspen Art Museum, 01/11/19–06/16/19 | | BROWSE THE 2021 FALL CATALOG  | Preview our FALL 2021 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Margaret Kilgallen: that’s where the beauty is.Foreword by Heidi Zuckerman. Text by Courtenay Finn, Jenelle Porter.
 Impure Americana, a slightly acidic nostalgia that evoked sideshows, tramp art and old travel posters with infusions of feminist wit. –Roberta Smith, New York TimesMargaret Kilgallen: that’s where the beauty is. is published on the occasion of Kilgallen’s first posthumous museum exhibition, and the largest presentation of her work in more than a decade. Using the artist’s exhibition history as a chronological tool, that’s where the beauty is. examines Kilgallen’s roots in histories of printmaking, American and non-Western folk history and folklore, and feminist strategies of representation, expanding the narrative around her work beyond her association with the Bay Area Mission School and the "Beautiful Losers" artists.
Kilgallen’s graphic, schematic style came from a deep engagement with the handmade in wildly divergent forms—from folk art to letterpress printing to freight train graffiti, among many other sources. “I like things that are handmade and I like to see people's hand in the world anywhere in the world,” she said, embracing the idiosyncrasies and imperfections that come from hand craft. “I think that’s where the beauty is.” Kilgallen’s work, in form and content, celebrates the handmade, making heroes and heroines of those who live and work in the margins and challenging traditional gender roles, hierarchies and mainstream culture.
This publication offers a comprehensive look at Kilgallen’s work, revisiting the ongoing legacy and idiosyncratic spirit of one of California’s most innovative artists.
American artist Margaret Kilgallen (1967–2001) died at the age of 33, just as her work was gaining recognition and prominence. She is best known for her association with the Bay Area Mission School—a loosely associated group of artists from the early 1990s—and for her inclusion in the legendary exhibition Beautiful Losers: Contemporary Art and Street Culture (2004).
"Untitled" (ca. 2000) is reproduced from 'Margaret Kilgallen: that’s where the beauty is.'PRAISE AND REVIEWSInterview Sarah Nechamkin that’s where the beauty is., celebrates Kilgallen’s folk-infused aesthetic, and her unique place within the history of feminist art. Hyperallergic Kealey Boyd Kilgallen presses us to acknowledge our superficial judgements, specifically of women, and compels us all to see more deeply. |
|  | STATUS: Out of stock indefinitely. | |
| | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 1/2/2020 "I like to see people's hand in the world, anywhere in the world; it doesn't matter to me where it is. And in my own work, I do everything by hand. I don't project or use anything mechanical, because even though I do spend a lot of time trying to perfect my line work and my hand, my hand will always be imperfect because it's human. And I think it's the part that's off that's interesting, that even if I'm doing really big letters, and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance, it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is." — Margaret Kilgallen continue to blog | ART BOOKS & MUSEUM EXHIBITION CATALOGS: FORTHCOMING AND RECENT RELEASES |  | THE MUSEUM OF MODERN ART, NEW YORKISBN: 9781633451070
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USD $65.00 | CAN $91 UK £ 57Pub Date: 7/13/2021
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|  | Introduction by Gabriel Weisz Carrington. Text by Susan Aberth, Tere Arcq.FULGUR PRESSISBN: 9781527258693
USD $55.00 | CAN $77Pub Date: 1/19/2021
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|  | DELMONICO BOOKS/LOS ANGELES COUNTY MUSEUM OF ARTISBN: 9781942884774
USD $60.00 | CAN $84 UK £ 53Pub Date: 6/15/2021
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|  | LOUISIANA MUSEUM OF MODERN ARTISBN: 9788793659353
USD $40.00 | CAN $56 UK £ 35Pub Date: 6/1/2021
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|  | Text by Hilton Als, Helen Molesworth, David Rimanelli.KARMA BOOKS, NEW YORKISBN: 9781949172515
USD $60.00 | CAN $84 UK £ 53Pub Date: 2/8/2022
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|  | Text by Emanuele Coccia, Gilda Williams, Michio Hayashi, Philippe Costamagna. Anthology by Alberto Manguel.FONDATION CARTIER POUR L'ART CONTEMPORAIN, PARISISBN: 9782869251595
USD $65.00 | CAN $91Pub Date: 9/7/2021
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|  | Text by Stephen F. Eisenman, Catherine Howe, Michael Peppiatt, Anna Testar.ROYAL ACADEMY OF ARTSISBN: 9781912520558
USD $39.95 | CAN $55.95Pub Date: 4/20/2021
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|  | Edited by Susan Behrends Frank, Kenneth Brummel. Essays by Patricia Favero, Marilyn McCully, Eduard Vallès, Sandra Webster-Cook.DELMONICO BOOKS/ART GALLERY OF ONTARIO/THE PHILLIPS COLLECTIONISBN: 9781942884927
USD $50.00 | CAN $70 UK £ 44Pub Date: 11/23/2021
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|  | Edited with text by Birgitte Sauge, Mai Britt Guleng, Jon-Ove Steihaug.SKIRAISBN: 9788857244853
USD $50.00 | CAN $70Pub Date: 7/13/2021
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|  | Edited with text by Cara Manes. Text by Alexander Calder, Alexander S. C. Rower.THE MUSEUM OF MODERN ART, NEW YORKISBN: 9781633451162
USD $45.00 | CAN $63Pub Date: 3/2/2021
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|  | Text by Maria Vittoria Marini Clarelli, Claudio Crescentini, Federica Pirani, Arianna Angelelli, Daniela Vasta.SILVANA EDITORIALEISBN: 9788836647200
USD $35.00 | CAN $49Pub Date: 4/20/2021
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FORMAT: Clth, 6.75 x 9.75 in. / 210 pgs / 100 color / 30 b&w.
LIST PRICE: U.S. $49.95
LIST PRICE: CANADA $69.95
GBP £40.00
ISBN: 9780934324878
PUBLISHER: Aspen Art Press
AVAILABLE: 12/17/2019
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| Margaret Kilgallen: that’s where the beauty is. Impure Americana, a slightly acidic nostalgia that evoked sideshows, tramp art and old travel posters with infusions of feminist wit. –Roberta Smith, New York Times Published by Aspen Art Press.
Foreword by Heidi Zuckerman. Text by Courtenay Finn, Jenelle Porter. | Margaret Kilgallen: that’s where the beauty is. is published on the occasion of Kilgallen’s first posthumous museum exhibition, and the largest presentation of her work in more than a decade. Using the artist’s exhibition history as a chronological tool, that’s where the beauty is. examines Kilgallen’s roots in histories of printmaking, American and non-Western folk history and folklore, and feminist strategies of representation, expanding the narrative around her work beyond her association with the Bay Area Mission School and the "Beautiful Losers" artists.
Kilgallen’s graphic, schematic style came from a deep engagement with the handmade in wildly divergent forms—from folk art to letterpress printing to freight train graffiti, among many other sources. “I like things that are handmade and I like to see people's hand in the world anywhere in the world,” she said, embracing the idiosyncrasies and imperfections that come from hand craft. “I think that’s where the beauty is.” Kilgallen’s work, in form and content, celebrates the handmade, making heroes and heroines of those who live and work in the margins and challenging traditional gender roles, hierarchies and mainstream culture.
This publication offers a comprehensive look at Kilgallen’s work, revisiting the ongoing legacy and idiosyncratic spirit of one of California’s most innovative artists.
American artist Margaret Kilgallen (1967–2001) died at the age of 33, just as her work was gaining recognition and prominence. She is best known for her association with the Bay Area Mission School—a loosely associated group of artists from the early 1990s—and for her inclusion in the legendary exhibition Beautiful Losers: Contemporary Art and Street Culture (2004).
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