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| | | | Speech/ActsText by Harryette Mullen, Fred Moten, Morgan Parker, Meg Onli, Simone White.
 Speech/Acts brings together new and recent works by a generation of artists influenced by black experimental poetry. Recognizing language as a primary method of expressing and maintaining power, these artists use poetry as a tool to manipulate the conceptual and structural elements of language and the social contexts in which language is employed, appropriated and abstracted. Artists Jibade-Khalil Huffman, Steffani Jemison, Tony Lewis, Tiona Nekkia McClodden, Kameelah Janan Rasheed and Martine Syms all use experimental poetry in their work as a means to interrogate the power structures of language, rendering the experience of blackness more physically and affectively exact. In this volume, their work is presented alongside their poetic forerunners (seminal texts by Fred Moten and Harryette Mullen are reprinted), newly commissioned poetry by Morgan Parker and Simone White, and a new essay by curator Meg Onli.
Featured image is reproduced from 'Speech/Acts.' |
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FORMAT: Clth, 6 x 8 in. / 300 pgs / 61 color.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $34.5
GBP £22.00
ISBN: 9780884541431
PUBLISHER: Institute of Contemporary Art at University of Pennsylvania/Futurepoem
AVAILABLE: 8/28/2018
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2018 Page 111 | PRESS INQUIRIES
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| Speech/Acts Published by Institute of Contemporary Art at University of Pennsylvania/Futurepoem.
Text by Harryette Mullen, Fred Moten, Morgan Parker, Meg Onli, Simone White. Speech/Acts brings together new and recent works by a generation of artists influenced by black experimental poetry. Recognizing language as a primary method of expressing and maintaining power, these artists use poetry as a tool to manipulate the conceptual and structural elements of language and the social contexts in which language is employed, appropriated and abstracted. Artists Jibade-Khalil Huffman, Steffani Jemison, Tony Lewis, Tiona Nekkia McClodden, Kameelah Janan Rasheed and Martine Syms all use experimental poetry in their work as a means to interrogate the power structures of language, rendering the experience of blackness more physically and affectively exact. In this volume, their work is presented alongside their poetic forerunners (seminal texts by Fred Moten and Harryette Mullen are reprinted), newly commissioned poetry by Morgan Parker and Simone White, and a new essay by curator Meg Onli.
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