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Boxed, postcards, 3.75 x 5.75 in. / 8 tritone. PUBLISHING STATUS
Pub Date 3/1/2000
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ISBN 9780871300607 SDNR50
List Price: $25.00 CDN $34.95 GBP £22.00 AVAILABILITY
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| | | Walker Evans: A Gallery of PostcardsText by Jeff L. Rosenheim.
Documenting Walker Evans's lifelong fascination with the picture postcardThe eight scrupulously tritone dry-trap printed postcards that make up A Gallery of Postcards were originally produced by Walker Evans in 1936 by contact printing sections of his 8 x 10-inch negatives onto the smaller Kodak gelatin silver postcard stock. This edition comes with an essay by Jeff L. Rosenheim, curator of The Metropolitan Museum of Art's 2000 Walker Evans exhibition, from which these postcards are drawn. "Like a poet refining an idea word by word, Evans often clarified and intensified the meanings of his pictures by trimming his prints just slightly to present the leanest possible image," Rosenheim writes. "With the postcards he took that impulse to another level. Evans was a master of the edge and one of the mediums greatest precisionists."
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|  | EAKINS PRESS FOUNDATIONISBN: 9780871300607
USD $25.00 | CAN $34.95 UK £ 22Pub Date: 3/1/2000
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FORMAT: Boxed, postcards, 3.75 x 5.75 in. / 8 tritone.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $34.95
GBP £22.00
ISBN: 9780871300607
PUBLISHER: Eakins Press Foundation
AVAILABLE: 3/1/2000
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR50
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Walker Evans: A Gallery of Postcards Published by Eakins Press Foundation.
Text by Jeff L. Rosenheim. Documenting Walker Evans's lifelong fascination with the picture postcard The eight scrupulously tritone dry-trap printed postcards that make up A Gallery of Postcards were originally produced by Walker Evans in 1936 by contact printing sections of his 8 x 10-inch negatives onto the smaller Kodak gelatin silver postcard stock. This edition comes with an essay by Jeff L. Rosenheim, curator of The Metropolitan Museum of Art's 2000 Walker Evans exhibition, from which these postcards are drawn. "Like a poet refining an idea word by word, Evans often clarified and intensified the meanings of his pictures by trimming his prints just slightly to present the leanest possible image," Rosenheim writes. "With the postcards he took that impulse to another level. Evans was a master of the edge and one of the mediums greatest precisionists."
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