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HUNTERS POINT PRESS
Jared Bark: Photobooth Pieces
Edited by Barney Kulok. Text by Catherine Damman. Interview by Hannah Howe, Elizabeth Easton.
Photobooth Pieces brings together for the first time in print a body of work little known or seen for nearly 40 years, by the pioneering American performance artist Jared Bark (born 1944). The selection of pictures in this volume covers a short but intense period of activity that the artist, a leading figure in the New York art world, undertook in his SoHo loft during the first half of the 1970s. These innovative constructions, assembled from photobooth strips, are an important addition to the history of art and photography of that time. The works are all reproduced at full scale and the book includes an essay by art historian Catherine Damman and an interview with the artist by Hannah Howe and Elizabeth Easton.
Featured image is reproduced from Jared Bark: Photobooth Pieces.
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Thursday, April 7 from 6-8PM, Printed Matter presents performance artist Jared Bark signing copies of his new book, Photobooth Pieces, published by Hunter's Point Press. Join ARTBOOK | D.A.P. in celebrating this debut publication presenting a body of work little known or seen for nearly 40 years. continue to blog
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FORMAT: Pbk, 11 x 9.5 in. / 90 pgs / 53 color. LIST PRICE: U.S. $49.95 LIST PRICE: CANADA $67.5 GBP £44.99 ISBN: 9780692499603 PUBLISHER: Hunters Point Press AVAILABLE: 2/23/2016 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by Hunters Point Press. Edited by Barney Kulok. Text by Catherine Damman. Interview by Hannah Howe, Elizabeth Easton.
Photobooth Pieces brings together for the first time in print a body of work little known or seen for nearly 40 years, by the pioneering American performance artist Jared Bark (born 1944). The selection of pictures in this volume covers a short but intense period of activity that the artist, a leading figure in the New York art world, undertook in his SoHo loft during the first half of the 1970s. These innovative constructions, assembled from photobooth strips, are an important addition to the history of art and photography of that time. The works are all reproduced at full scale and the book includes an essay by art historian Catherine Damman and an interview with the artist by Hannah Howe and Elizabeth Easton.
