| | BOOK FORMAT
Hardcover, 11.5 x 12.25 in. / 360 pgs / 700 color. PUBLISHING STATUS
Pub Date 4/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2007 p. 74 PRODUCT DETAILS
ISBN 9789689056065 TRADE
List Price: $90.00 CDN $110.00 AVAILABILITY
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| | | Gabriel OrozcoText by Yve-Alain Bois, Benjamin H.D. Buchloh, Briony Fer.
The work of Gabriel Orozco is an exemplary adventure of ideas and objects. Always generously implicating the spectator, Orozco draws on a large material repertoire to produce quiet shifts in commonplace scenarios. This book, published to coincide with Orozco's exhibition at the Museo del Palacio de Bellas Artes in Mexico City, is the first substantial monograph on the artist, and testifies to the range of his investigations, from tiny adjustments in everyday locations (such as breath on a piano or reflections in a puddle) to more recent preoccupations with spherical forms in collage and paint. In an extensive interview with Briony Fer, the artist explains some of the conceptual premises of his art. Benjamin H.D. Buchloh situates Orozco´s various sculptural practices within twentieth-century precedents and the climate of postwar consumerism and assesses them as manifestations of a shift in object-subject relations. And Yves-Alain Bois explores Orozco's recent "return" to painting, considering the structural logic of his canvases, in which Orozco deploys self-imposed rules to plot compositions (or "diagrams," as he describes them). With insightful texts and hundreds of illustrations, this big, bold, 360-page book is the definitive work to date on one of the most influential contemporary artists.
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|  | Essay by Ann Temkin.PHILADELPHIA MUSEUM OF ARTISBN: 9780876331286
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|  | Edited by Yilmaz Dziewior. Text by Yilmaz Dziewior, Pablo Soler Frost, María Minera, André Rottmann.KUNSTHAUS BREGENZISBN: 9783863353308
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|  | Text by Ann Temkin, Anne Byrd, Benjamin H. D. Buchloh, Briony Fer, Paulina Pobocha.THE MUSEUM OF MODERN ART, NEW YORKISBN: 9780870707629
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|  | WALTHER KöNIG, KöLNISBN: 9783865601667
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|  | Text by Yve-Alain Bois, Benjamin H.D. Buchloh, Briony Fer.TURNER/A&R PRESS/CONACULTA-INBAISBN: 9789689056065
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| | Essays by Benjamin H.D. Buchloh, Briony Fer, and Rochelle Steiner.,WALTHER KöNIG, KöLNISBN: 9783883758374
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| | Essays by Jean-Pierre Criqul, Molly Nesbit and Angeline Scherf.WALTHER KöNIG, KöLNISBN: 9783883756134
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| | Artwork by Abraham Cruzvillegas, Gabriel Orozco, Damin Ortega. Text by Benjamin Buchloh, Gabriel Kuri, Molly Nesbit.THE MUSEUM OF CONTEMPORARY ART, LOS ANGELESISBN: 9780914357759
USD $39.95 | CAN $50Pub Date: 6/2/2000
Out of print | Not available
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| | Artwork by Gabriel Orozco. Contributions by Martijn van Nieuwenhuyzen.ARTIMO/STEDELIJK MUSEUM AMSTERDAMISBN: 9789075380101
USD $25.00 | CAN $25Pub Date: 11/2/2001
Out of print | OUT OF STOCK
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FORMAT: Hardcover, 11.5 x 12.25 in. / 360 pgs / 700 color.
LIST PRICE: U.S. $90.00
LIST PRICE: CANADA $110
ISBN: 9789689056065
PUBLISHER: Turner/A&R Press/Conaculta-INBA
AVAILABLE: 4/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Gabriel Orozco Published by Turner/A&R Press/Conaculta-INBA.
Text by Yve-Alain Bois, Benjamin H.D. Buchloh, Briony Fer. | The work of Gabriel Orozco is an exemplary adventure of ideas and objects. Always generously implicating the spectator, Orozco draws on a large material repertoire to produce quiet shifts in commonplace scenarios. This book, published to coincide with Orozco's exhibition at the Museo del Palacio de Bellas Artes in Mexico City, is the first substantial monograph on the artist, and testifies to the range of his investigations, from tiny adjustments in everyday locations (such as breath on a piano or reflections in a puddle) to more recent preoccupations with spherical forms in collage and paint. In an extensive interview with Briony Fer, the artist explains some of the conceptual premises of his art. Benjamin H.D. Buchloh situates Orozco´s various sculptural practices within twentieth-century precedents and the climate of postwar consumerism and assesses them as manifestations of a shift in object-subject relations. And Yves-Alain Bois explores Orozco's recent "return" to painting, considering the structural logic of his canvases, in which Orozco deploys self-imposed rules to plot compositions (or "diagrams," as he describes them). With insightful texts and hundreds of illustrations, this big, bold, 360-page book is the definitive work to date on one of the most influential contemporary artists.
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