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STYLES | PERIODS | WRITINGS ON FASHION

PUBLISHER
Damiani

BOOK FORMAT
Clothbound, 9 x 11.75 in. / 240 pgs / 300 color and 50 bw.

PUBLISHING STATUS
Pub Date
Out of print

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2006 p. 24   

PRODUCT DETAILS
ISBN 9788889431238 TRADE
List Price: $99.00 CAD $132.50

AVAILABILITY
Not available

TERRITORY
NA LA

THE SPRING 2026 ARTBOOK | D.A.P. CATALOG

Artbook | D.A.P. Catalog Cover Link
Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
  

DAMIANI

Embroidery

Italian Fashion

Introduction by Guisy Ferra. Texts by Valentino, Gianfranco Ferre, Etro, Anna Molinari, Blumarine, Marras Alessandro, Dell'Acqua, Kenzo (By Marras), Marni, Versace, Roberto Cavalli, Riccardo Tisci, Maurizio Pecoraro, Emilio Pucci, et. Al.

Tracing the recent rise in popularity of embroidery in Italy, a nation characterized by its opulence and emotion

The absolute dedication required by embroidery's sophisticated, precious handiwork has rendered it increasingly rare: as a craft, it calls for mental discipline even more than physical, and for infinite patience, virtues so far from contemporary, so eccentric in a society that wants everything delivered at once, that of course embroidery has come into the spotlight again. Embroidery: Italian Fashion follows the technique's recent rise in a national culture known for its opulence and emotion, and brings readers the experience of both with a soft, embroidered cover. Inside, the details of micro-paillettes, mirrors, bugle beads, ribbons and implausibly thin threads produce virtuosities, coups de theÇtre, surprising elegances. Embroidery is a door on a wondrous, opulent dimension where light plays with the richness of threads, and Embroidery shows its meaning transformed by the violence of modern lines and gestures, like the burnt Swarovski crystals that are Riccardo Tisci's hallmark. When Antonio Marras presented a skirt at his first Milan show in which the embroidery seemed to allude to beginner's work, to the gauze on which little girls once learned to sew, he asked his embroiderers to imitate this style, calling it "wrongstitch." And those extraordinary craftswomen, accustomed to perfection, learned just what feeling, what fascination can be concealed in an apparent mistake. The embroiderers and their colleagues remain the silent but ever-present heroines of this revival, their handiwork recalling the human touch at every glance. Includes work from Anna Molinari, Blumarine, Dolce & Gabbana, Emilio Pucci, Gianfranco Ferre, Marni, Roberto Cavalli, Valentino and Versace.
Embroidery

STATUS: Out of print | 00/00/00

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