| | PUBLISHER ChartaBOOK FORMAT Hardcover, 9.5 x 12 in. / 400 pgs / 204 color and 241 bw. PUBLISHING STATUS Pub Date 11/15/2006 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2006 p. 138 PRODUCT DETAILS ISBN 9788881585908 TRADE List Price: $85.00 CAD $100.00 AVAILABILITY Not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | CHARTABraco DimitrijevicEssays by Dan Cameron, Achille Bonito Oliva, Jean Hubert Martin, Cornelia Lauf, Irina Karasik, Olesya Turkina and Nena Dimitrijevic.
The Sarajevo-born artist Braco Dimitrijev'c has forged a strongly personal and original artistic path through the great movements of the postwar period, from kinetic and op art to conceptual and performance art. Throughout his work, he has returned to questions of fame and fate: what is it that catapults certain people into the historical limelight, and what causes others to be mere "casual passersby"? Dimitrijevic gained international attention in the 1970s for his supersized portraits of unknown subjects hung in large public spaces, and ever since his work has been focused on questions of "post-history," a set of ideas he formulated in 1976. This monograph provides a comprehensive look at his arresting theory in action.
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FORMAT: Hardcover, 9.5 x 12 in. / 400 pgs / 204 color and 241 b&w. LIST PRICE: U.S. $85.00 LIST PRICE: CANADA $100 ISBN: 9788881585908 PUBLISHER: Charta AVAILABLE: 11/15/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
| D.A.P. CATALOG: FALL 2006 Page 138 | PRESS INQUIRIES
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| Braco Dimitrijevic Published by Charta. Essays by Dan Cameron, Achille Bonito Oliva, Jean Hubert Martin, Cornelia Lauf, Irina Karasik, Olesya Turkina and Nena Dimitrijevic. The Sarajevo-born artist Braco Dimitrijev'c has forged a strongly personal and original artistic path through the great movements of the postwar period, from kinetic and op art to conceptual and performance art. Throughout his work, he has returned to questions of fame and fate: what is it that catapults certain people into the historical limelight, and what causes others to be mere "casual passersby"? Dimitrijevic gained international attention in the 1970s for his supersized portraits of unknown subjects hung in large public spaces, and ever since his work has been focused on questions of "post-history," a set of ideas he formulated in 1976. This monograph provides a comprehensive look at his arresting theory in action.
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