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| | PUBLISHER
ChartaBOOK FORMAT
Paperback, 9 x 11 in. / 232 pgs / 80 color / 370 bw. PUBLISHING STATUS
Pub Date 3/2/2004
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2004 PRODUCT DETAILS
ISBN 9788881584604 TRADE
List Price: $49.95 CDN $60.00 AVAILABILITY
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| | | CHARTAGregor SchneiderEssays by Ulrich Loock and Paul Schimmel. Interviews by Hannelore Reuen and Ulrich Loock.
“Making is a higher form of thinking,” claims Gregor Schneider, who began to make art as an adolescent. So urgent was his desire to be an artist that, in order to pay for the materials he needed to make his sculptures, he even worked as a gravedigger. Introverted, self-effacing and a close observer of human behavior--with a particular passion for the lowliest of social categories--Schneider has developed an all-absorbing identification with his work, living together with it night and day in an apartment he soundproofed from the rest of the world. Schneider has tried his hand at film, painting and sculpture, but most remarkable is the installation he created between 1985 and 1994, in his home. There he built rooms within rooms, walls in front of walls, doors that led nowhere and windows that opened onto dead spaces. When asked about his motivations, he would defiantly proclaim, “I can't do anything else.” This monograph surveys his work.
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FORMAT: Paperback, 9 x 11 in. / 232 pgs / 80 color / 370 b&w.
LIST PRICE: U.S. $49.95
LIST PRICE: CANADA $60
ISBN: 9788881584604
PUBLISHER: Charta
AVAILABLE: 3/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
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| Gregor Schneider Published by Charta.
Essays by Ulrich Loock and Paul Schimmel. Interviews by Hannelore Reuen and Ulrich Loock. “Making is a higher form of thinking,” claims Gregor Schneider, who began to make art as an adolescent. So urgent was his desire to be an artist that, in order to pay for the materials he needed to make his sculptures, he even worked as a gravedigger. Introverted, self-effacing and a close observer of human behavior--with a particular passion for the lowliest of social categories--Schneider has developed an all-absorbing identification with his work, living together with it night and day in an apartment he soundproofed from the rest of the world. Schneider has tried his hand at film, painting and sculpture, but most remarkable is the installation he created between 1985 and 1994, in his home. There he built rooms within rooms, walls in front of walls, doors that led nowhere and windows that opened onto dead spaces. When asked about his motivations, he would defiantly proclaim, “I can't do anything else.” This monograph surveys his work.
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