| | PUBLISHER
ChartaBOOK FORMAT
Paperback, 6.75 x 9.5 in. / 72 pgs / 16 color / 43 bw. PUBLISHING STATUS
Pub Date 2/2/2002
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2002 PRODUCT DETAILS
ISBN 9788881583553 TRADE
List Price: $22.00 CAD $25.00 AVAILABILITY
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| | | CHARTAPhilip TreacyEssays by Paula Reed, Meredith Etherington-Smith.
No one who loves hats can resist the wonderful tale of Philip Treacy, the Irish hatter. Born in County Galway to a large family (seven brothers and a sister), Treacy was taught to hold a sewing needle by his village school teacher. With the needle, he has gone on to free the hat from the dictums of fashions and trends, creating sculptures for the crown out of veils, feathers, artificial flowers, straw and gauze, as well as shadows and illusion. "I think and hope I have changed the way we look at hats," he reflects. "They are no longer symbols of conformity but highly individual acts of rebellion. I am constantly challenging the perception of what a hat should be and what role it should play."
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USD $60.00 | CAD $90Pub Date: 2/11/2025
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|  | Silvana EditorialeISBN: 9788836658749
USD $50.00 | CAD $75Pub Date: 5/27/2025
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USD $45.00 | CAD $68Pub Date: 5/6/2025
Active | In stock
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FORMAT: Paperback, 6.75 x 9.5 in. / 72 pgs / 16 color / 43 b&w.
LIST PRICE: U.S. $22.00
LIST PRICE: CANADA $25
ISBN: 9788881583553
PUBLISHER: Charta
AVAILABLE: 2/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2002 | PRESS INQUIRIES
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Fax: (212) 627-9484
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| Philip Treacy Published by Charta.
Essays by Paula Reed, Meredith Etherington-Smith. No one who loves hats can resist the wonderful tale of Philip Treacy, the Irish hatter. Born in County Galway to a large family (seven brothers and a sister), Treacy was taught to hold a sewing needle by his village school teacher. With the needle, he has gone on to free the hat from the dictums of fashions and trends, creating sculptures for the crown out of veils, feathers, artificial flowers, straw and gauze, as well as shadows and illusion. "I think and hope I have changed the way we look at hats," he reflects. "They are no longer symbols of conformity but highly individual acts of rebellion. I am constantly challenging the perception of what a hat should be and what role it should play."
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