| | BOOK FORMAT
Hardcover, 8.5 x 10 in. / 96 pgs / 50 color and 100 bw. PUBLISHING STATUS
Pub Date 11/15/2006
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Catalog: FALL 2006 p. 100 PRODUCT DETAILS
ISBN 9788791607318 TRADE
List Price: $35.00 CAD $47.50 GBP £30.00 AVAILABILITY
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| | | Starlight100 Years of Film StillsEdited by Michael Juul Holm. Essays by Madeleine Schlawitz, Mette Kia Krabbe Meyer, Michael Juul Holm and Mette Marcus. Foreword by Poul Erik TØjner.
A collection of the most successful, memorable and peculiar film stills of the past centuryFilm stills seek to capture not only the frozen moment the shutter speed allows, but the whole mood and meaning of a movie's narrative. Successful ones often come to represent the essence of the movie in the media and in viewers' memories. We encounter them in cinema foyers and in newspaper and magazine ads and reviews, but also in contemporary art, of which Cindy Sherman's is the best known example. Film Stills is no riff on a classic but the real thing, a collection of the most successful, memorable and peculiar film stills of the past century. It offers uncommon insight into a genre that is both central to our shared imaginary worlds and often overlooked.
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FORMAT: Hardcover, 8.5 x 10 in. / 96 pgs / 50 color and 100 b&w.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $47.5
GBP £30.00
ISBN: 9788791607318
PUBLISHER: Louisiana Museum of Modern Art
AVAILABLE: 11/15/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Starlight
100 Years of Film Stills Published by Louisiana Museum of Modern Art.
Edited by Michael Juul Holm. Essays by Madeleine Schlawitz, Mette Kia Krabbe Meyer, Michael Juul Holm and Mette Marcus. Foreword by Poul Erik TØjner. A collection of the most successful, memorable and peculiar film stills of the past century Film stills seek to capture not only the frozen moment the shutter speed allows, but the whole mood and meaning of a movie's narrative. Successful ones often come to represent the essence of the movie in the media and in viewers' memories. We encounter them in cinema foyers and in newspaper and magazine ads and reviews, but also in contemporary art, of which Cindy Sherman's is the best known example. Film Stills is no riff on a classic but the real thing, a collection of the most successful, memorable and peculiar film stills of the past century. It offers uncommon insight into a genre that is both central to our shared imaginary worlds and often overlooked.
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