| | BOOK FORMAT
Hardcover, 8.25 x 11 in. / 160 pgs / 156 color / 10 bw. PUBLISHING STATUS
Pub Date 3/1/2006
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2006 p. 106 PRODUCT DETAILS
ISBN 9783937572413 TRADE
List Price: $55.00 CAD $72.50 AVAILABILITY
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| | | John Chamberlain: Papier ParadisioEdited by Dieter Schwarz. Essays by Robert Creeley and Fielding Dawson.
When John Chamberlain began his career in the late 1950s, his starting point was Abstract Expressionist painting. As has since been remarked, his twisted, lacquered, partially painted, metal sculptures eventually created a new, three-dimensional Abstract Expressionism. This collection of his two-dimensional works from different creative phases brings him back to that starting point and suggests other directions he might have taken--and quietly did take, in sketching--reinforcing both the pictorial character of his work and his unconventional way with materials. Papier Paradisio includes subtle improvised works on paper, small reliefs made in cardboard and metal, spray paintings and Formica.
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| | | | |  | Silvana EditorialeISBN: 9788836641307
USD $35.00 | CAD $49.95Pub Date: 4/23/2019
Active | In stock
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FORMAT: Hardcover, 8.25 x 11 in. / 160 pgs / 156 color / 10 b&w.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $72.5
ISBN: 9783937572413
PUBLISHER: Richter Verlag
AVAILABLE: 3/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2006 Page 106 | PRESS INQUIRIES
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| John Chamberlain: Papier Paradisio Published by Richter Verlag.
Edited by Dieter Schwarz. Essays by Robert Creeley and Fielding Dawson. When John Chamberlain began his career in the late 1950s, his starting point was Abstract Expressionist painting. As has since been remarked, his twisted, lacquered, partially painted, metal sculptures eventually created a new, three-dimensional Abstract Expressionism. This collection of his two-dimensional works from different creative phases brings him back to that starting point and suggests other directions he might have taken--and quietly did take, in sketching--reinforcing both the pictorial character of his work and his unconventional way with materials. Papier Paradisio includes subtle improvised works on paper, small reliefs made in cardboard and metal, spray paintings and Formica.
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