| | BOOK FORMAT Hardcover, 8.5 x 11.75 in. / 184 pgs / 75 bw. PUBLISHING STATUS Pub Date 8/15/2005 Active DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2005 p. 107 PRODUCT DETAILS ISBN 9783936711615 TRADE List Price: $40.00 CAD $54.00 AVAILABILITY Out of stock | TERRITORY NA LA ASIA AU/NZ AFR ME | | THE SPRING 2026 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Marco Poloni: The PassengersPhotographic WorksEssays by Pierre-Andr» Lienhard and Stefan Banz.
These works by photographer and videographer Marco Poloni consist of photo storyboards for films never made. Haunting black-and-white images and accompanying captions suggest noir danger, but in fact, all action, if indeed there is any, takes place outside the frame. The viewer is thus forced into the role of a confidant, an unwilling party to a conspiracy. In this way, Poloni plays with our certainty about the alleged ability of a picture to be representative of reality. The frame is the ultimate arbiter of the story.
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|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
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FORMAT: Hardcover, 8.5 x 11.75 in. / 184 pgs / 75 b&w. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $54 ISBN: 9783936711615 PUBLISHER: Verlag für moderne Kunst AVAILABLE: 8/15/2005 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2005 Page 107 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Marco Poloni: The Passengers Photographic Works Published by Verlag für moderne Kunst. Essays by Pierre-Andr» Lienhard and Stefan Banz. These works by photographer and videographer Marco Poloni consist of photo storyboards for films never made. Haunting black-and-white images and accompanying captions suggest noir danger, but in fact, all action, if indeed there is any, takes place outside the frame. The viewer is thus forced into the role of a confidant, an unwilling party to a conspiracy. In this way, Poloni plays with our certainty about the alleged ability of a picture to be representative of reality. The frame is the ultimate arbiter of the story.
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