| | BOOK FORMAT
Hardcover, 8.25 x 10.75 in. / 176 pgs / 147 color / 10 bw. PUBLISHING STATUS
Pub Date 8/15/2005
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2005 p. 155 PRODUCT DETAILS
ISBN 9783936646962 TRADE
List Price: $35.00 CAD $40.00 AVAILABILITY
Not available | TERRITORY
NA LA ME | | THE SPRING 2026 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Richard Allen Morris: Retrospective 1958-2004Essays by John Baldessari, Martin Henatsch and Siri Hustvedt.
After almost five decades of painting in the relative wilderness of San Diego, Richard Allen Morris has suddenly become a deserved art-world darling. Long admired by fellow West Coast artists like John Baldessari and East Coasters like David Reed, Morris has displayed a restless engagement with Abstract Expressionism over his long career, from early, large, blown-up-to-abstraction riffs on Giotto and Toulouse-Lautrec to his more recent, typing-paper-size works that show him to be a virtuoso colorist. One recurring motif has been guns, altered or colored or even “disarmed” of representation and often made comic by this distortion. This comprehensive collection includes essays by Baldessari and the novelist and poet Siri Hustvedt, who curated Morris's first-ever New York show in April 2004.
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FORMAT: Hardcover, 8.25 x 10.75 in. / 176 pgs / 147 color / 10 b&w.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9783936646962
PUBLISHER: Kerber
AVAILABLE: 8/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ME | D.A.P. CATALOG: FALL 2005 Page 155 | PRESS INQUIRIES
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| Richard Allen Morris: Retrospective 1958-2004 Published by Kerber.
Essays by John Baldessari, Martin Henatsch and Siri Hustvedt. After almost five decades of painting in the relative wilderness of San Diego, Richard Allen Morris has suddenly become a deserved art-world darling. Long admired by fellow West Coast artists like John Baldessari and East Coasters like David Reed, Morris has displayed a restless engagement with Abstract Expressionism over his long career, from early, large, blown-up-to-abstraction riffs on Giotto and Toulouse-Lautrec to his more recent, typing-paper-size works that show him to be a virtuoso colorist. One recurring motif has been guns, altered or colored or even “disarmed” of representation and often made comic by this distortion. This comprehensive collection includes essays by Baldessari and the novelist and poet Siri Hustvedt, who curated Morris's first-ever New York show in April 2004.
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