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| | | | Oliver Payne & Nick Relph: TaschenEssays by Hans Ulrich Obrist, Andrea Kroksnes. Introduction by Sune Nordgren and Susanne Pagé.
Not just anyone gets to be the subject of a Taschen book, and British filmmakers Oliver Payne and Nick Relph are no exception. This is not a Taschen book. But in keeping with the carefree, phantasmagorical attitude that pulsates through their cinematic essays, Payne and Relph have decided to title their book Taschen, thereby adding a Taschen book to their bibliography without actually having to fit the publishing company's profile. Their videos and films reflect the zeitgeist of a young, urban generation, a world in which teenage garage bands bang away, kids grope each other in the subway, and too many people wear those awful masks from Scream. It's not an ironic point of view; as the artists exclaim in gold lettering on the front cover: We don't have the option of turning away from the future.
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FORMAT: Hardcover, 8 x 10.5 in. / 126 pgs / 113 color.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9783936646504
PUBLISHER: Kerber
AVAILABLE: 8/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ME | D.A.P. CATALOG: FALL 2004 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS
Tel: (212) 627-1999
Fax: (212) 627-9484
Customer Service: (800) 338-2665
Email Trade Sales: orders@dapinc.com |
| Oliver Payne & Nick Relph: Taschen Published by Kerber.
Essays by Hans Ulrich Obrist, Andrea Kroksnes. Introduction by Sune Nordgren and Susanne Pagé. Not just anyone gets to be the subject of a Taschen book, and British filmmakers Oliver Payne and Nick Relph are no exception. This is not a Taschen book. But in keeping with the carefree, phantasmagorical attitude that pulsates through their cinematic essays, Payne and Relph have decided to title their book Taschen, thereby adding a Taschen book to their bibliography without actually having to fit the publishing company's profile. Their videos and films reflect the zeitgeist of a young, urban generation, a world in which teenage garage bands bang away, kids grope each other in the subway, and too many people wear those awful masks from Scream. It's not an ironic point of view; as the artists exclaim in gold lettering on the front cover: We don't have the option of turning away from the future.
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