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Hardcover, 8.75 x 11.5 in. / 152 pgs / 103 color PUBLISHING STATUS
Pub Date 4/2/2004
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Catalog: SPRING 2004 PRODUCT DETAILS
ISBN 9783933807953 TRADE
List Price: $50.00 CDN $67.50 AVAILABILITY
Out of stock | | BROWSE THE 2019 SPRING CATALOG  Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019! |
| | | Medardo RossoEssays by Christoph Brockhaus, Luigi Ambrosini, Birgit Brunk, Ettore Cozzani, Leonetta Cecchi, Erich Franz, Dieter Schwarz, Gottlieb Leinz, Ludwig Hevesi, Giovanni Lista, Julius Meier-Graefe, Pieraccini, Margherita Sarfatti, Ardengo Soffici, et al.
With his figures, Italian sculptor Medardo Rosso succeeded in contributing decisively to the development of modern sculpture. The artist's points of focus were the moment when the sculpture was perceived and the fusion of the figure with its surroundings. He worked almost exclusively on portrait heads; wax became a substitute for bronze, allowing him to work the surface of the sculpture to its finest perfection and to use different hues, adequate expression for the fleetingness of the apparition. And they are fleeting--one hardly knows if the portrayed faces are receding from the sculpture's surface or pushing up against it. In Paris, where Rosso spent the greater part of his life, he found understanding friends in Edgar Degas and the collector Henri Rouart, while friendship with Rodin miscarried because of the rivalry between the two sculptors. At around the turn of the century, Rosso's sculptures could be seen at many large European exhibitions; the Futurists would soon hold him up as a model. This publication, a scholarly survey of the artist's work, makes clear that although Rosso limited himself to very few motifs, their many different versions translated into independent works.
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|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
| | | |  | Edited by Gloria Moure.POLíGRAFAISBN: 9788434313767
USD $55.00 | CAN $75Pub Date: 5/21/2019
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|  | Edited by Oona Doyle, Julia Peyton-Jones. Foreword by Thaddaeus Ropac. Text by Sharon Hecker. Interview with Tony Cragg, Julia Peyton-Jones.GALERIE THADDAEUS ROPACISBN: 9780995745643
USD $42.00 | CAN $55Pub Date: 9/25/2018
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|  | Foreword by Cara Starke. Text by Jodi Hauptman, Sharon Hecker, Tamara H. Schenkenberg, Matthew S. Witkovsky.PULITZER ARTS FOUNDATIONISBN: 9780997690156
USD $45.00 | CAN $60 UK £ 40Pub Date: 3/27/2018
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FORMAT: Hardcover, 8.75 x 11.5 in. / 152 pgs / 103 color
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $67.5
ISBN: 9783933807953
PUBLISHER: Richter Verlag
AVAILABLE: 4/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
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| Medardo Rosso Published by Richter Verlag.
Essays by Christoph Brockhaus, Luigi Ambrosini, Birgit Brunk, Ettore Cozzani, Leonetta Cecchi, Erich Franz, Dieter Schwarz, Gottlieb Leinz, Ludwig Hevesi, Giovanni Lista, Julius Meier-Graefe, Pieraccini, Margherita Sarfatti, Ardengo Soffici, et al. | With his figures, Italian sculptor Medardo Rosso succeeded in contributing decisively to the development of modern sculpture. The artist's points of focus were the moment when the sculpture was perceived and the fusion of the figure with its surroundings. He worked almost exclusively on portrait heads; wax became a substitute for bronze, allowing him to work the surface of the sculpture to its finest perfection and to use different hues, adequate expression for the fleetingness of the apparition. And they are fleeting--one hardly knows if the portrayed faces are receding from the sculpture's surface or pushing up against it. In Paris, where Rosso spent the greater part of his life, he found understanding friends in Edgar Degas and the collector Henri Rouart, while friendship with Rodin miscarried because of the rivalry between the two sculptors. At around the turn of the century, Rosso's sculptures could be seen at many large European exhibitions; the Futurists would soon hold him up as a model. This publication, a scholarly survey of the artist's work, makes clear that although Rosso limited himself to very few motifs, their many different versions translated into independent works.
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