| | BOOK FORMAT
Hardcover, 9 x 11.75 in. / 400 pgs / 45 color / 200 bw. PUBLISHING STATUS
Pub Date 2/2/1996
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 1996 PRODUCT DETAILS
ISBN 9783928762380 TRADE
List Price: $75.00 CAD $90.00 AVAILABILITY
Not available | TERRITORY
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| | | Wide White Space: 1966-1976Edited by Yves Aupetitallot.
More than 25 years ago, an innovative art space in Antwerp called Wide White Space exhibited many of the key artists who went on to define contemporary art in the decades to come: Marcel Broodthaers, Gerhard Richter, Jospeh Beuys, Carl Andre, Daniel Buren and Lawrence Weiner. Wide White Space and its founders Anny De Decker and Bernd Lohaus played a pivotal role in the art scene that emerged in the late 1960s and early 1970s, and this unusual publication documents that role with reproductions, interviews with protagonists and a complete catalogue raisonné of the exhibitions held there. As Jean-Pierre Criqui wrote in Artforum, “Here we have the embryo of a social history of the art of the 60s and 70s.”
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FORMAT: Hardcover, 9 x 11.75 in. / 400 pgs / 45 color / 200 b&w.
LIST PRICE: U.S. $75.00
LIST PRICE: CANADA $90
ISBN: 9783928762380
PUBLISHER: Richter Verlag
AVAILABLE: 2/2/1996
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 1996 | PRESS INQUIRIES
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| Wide White Space: 1966-1976 Published by Richter Verlag.
Edited by Yves Aupetitallot. More than 25 years ago, an innovative art space in Antwerp called Wide White Space exhibited many of the key artists who went on to define contemporary art in the decades to come: Marcel Broodthaers, Gerhard Richter, Jospeh Beuys, Carl Andre, Daniel Buren and Lawrence Weiner. Wide White Space and its founders Anny De Decker and Bernd Lohaus played a pivotal role in the art scene that emerged in the late 1960s and early 1970s, and this unusual publication documents that role with reproductions, interviews with protagonists and a complete catalogue raisonné of the exhibitions held there. As Jean-Pierre Criqui wrote in Artforum, “Here we have the embryo of a social history of the art of the 60s and 70s.”
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