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Paperback 7.5 x 9.5 in. / 136 pgs / 60 color / 70 bw. PUBLISHING STATUS
Pub Date 3/1/2007
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Catalog: SPRING 2007 p. 148 PRODUCT DETAILS
ISBN 9783905701715 TRADE
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| | | Mathieu MercierText by Michel Gauthier, Jennifer Allen.
Mathieu Mercier employs common household and industrial materials to create his sculptural, photographic and wall-based works, which explore the relationship between those contemporary mass-produced consumer objects and their aesthetic origins in early-twentieth-century art and design. One series of sculptures, titled "Drum and Bass," recreates classic Mondrian compositions out of black DIY shelving and primary-colored household objects--plastic bins, extension cables and stationery folders. In "Plastic Anchors Wall, " Mercier again traces the use of primary colors from early Modernist art to their function as color-coding for differently sized screw anchors. This dialogue between utopian art and design icons and contemporary mass-produced objects highlights the evolution of the meaning of "modernity" from social project, in utopian movements such as De Stijl and Russian Constructivism, to capital gain.
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|  | Afterword by Harry Cooper.D.A.P./NATIONAL GALLERY OF ARTISBN: 9781942884576
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FORMAT: Paperback 7.5 x 9.5 in. / 136 pgs / 60 color / 70 b&w.
LIST PRICE: U.S. $29.00
LIST PRICE: CANADA $39.5
ISBN: 9783905701715
PUBLISHER: JRP|Ringier
AVAILABLE: 3/1/2007
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RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
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| Mathieu Mercier Published by JRP|Ringier.
Text by Michel Gauthier, Jennifer Allen. | Mathieu Mercier employs common household and industrial materials to create his sculptural, photographic and wall-based works, which explore the relationship between those contemporary mass-produced consumer objects and their aesthetic origins in early-twentieth-century art and design. One series of sculptures, titled "Drum and Bass," recreates classic Mondrian compositions out of black DIY shelving and primary-colored household objects--plastic bins, extension cables and stationery folders. In "Plastic Anchors Wall, " Mercier again traces the use of primary colors from early Modernist art to their function as color-coding for differently sized screw anchors. This dialogue between utopian art and design icons and contemporary mass-produced objects highlights the evolution of the meaning of "modernity" from social project, in utopian movements such as De Stijl and Russian Constructivism, to capital gain.
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