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Paperback, 6 x 9 in. / 208 pgs / 118 color. PUBLISHING STATUS
Pub Date 7/1/2007
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Catalog: FALL 2007 p. 157 PRODUCT DETAILS
ISBN 9783865602015 FLAT40
List Price: $39.95 CDN $50.00 AVAILABILITY
Not available | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Michael Krebber, Gareth James, John Kelsey, Josef Strau
The artist and professor Michael Krebber recently invited his colleagues Gareth James, John Kelsey and Josef Strau to participate in an exhibition with the title Ical Krbbr Prdly Prsnts Gart Jas, Jon Klsy, Josf Stra. Minus a few of the necessary letters, the artists' names became a wall painting transformed into concrete poetry. As the exhibition freed itself from the curator's reins, the resulting exhibition catalogue also goes against conventional form and order. For example, a foreword by the editor turns out to be an artist's improvised speech on the topic of Puberty in Painting: "Now I have written: I can't decide any longer for one of these points of views or non-points of views." Artworks are not presented in groups by artist, but rather by associative links of picture strips, found-object texts, prose, drawings and collages.
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FORMAT: Paperback, 6 x 9 in. / 208 pgs / 118 color.
LIST PRICE: U.S. $39.95
LIST PRICE: CANADA $50
ISBN: 9783865602015
PUBLISHER: Walther König, Köln
AVAILABLE: 7/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR | D.A.P. CATALOG: FALL 2007 Page 157 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Michael Krebber, Gareth James, John Kelsey, Josef Strau Published by Walther König, Köln. | The artist and professor Michael Krebber recently invited his colleagues Gareth James, John Kelsey and Josef Strau to participate in an exhibition with the title Ical Krbbr Prdly Prsnts Gart Jas, Jon Klsy, Josf Stra. Minus a few of the necessary letters, the artists' names became a wall painting transformed into concrete poetry. As the exhibition freed itself from the curator's reins, the resulting exhibition catalogue also goes against conventional form and order. For example, a foreword by the editor turns out to be an artist's improvised speech on the topic of Puberty in Painting: "Now I have written: I can't decide any longer for one of these points of views or non-points of views." Artworks are not presented in groups by artist, but rather by associative links of picture strips, found-object texts, prose, drawings and collages.
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