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| | BOOK FORMAT Paperback, 6 x 9 in. / 208 pgs / 118 color. PUBLISHING STATUS Pub Date 7/1/2007 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2007 p. 157 PRODUCT DETAILS ISBN 9783865602015 FLAT40 List Price: $39.95 CDN $50.00 AVAILABILITY Not available | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Michael Krebber, Gareth James, John Kelsey, Josef Strau
The artist and professor Michael Krebber recently invited his colleagues Gareth James, John Kelsey and Josef Strau to participate in an exhibition with the title Ical Krbbr Prdly Prsnts Gart Jas, Jon Klsy, Josf Stra. Minus a few of the necessary letters, the artists' names became a wall painting transformed into concrete poetry. As the exhibition freed itself from the curator's reins, the resulting exhibition catalogue also goes against conventional form and order. For example, a foreword by the editor turns out to be an artist's improvised speech on the topic of Puberty in Painting: "Now I have written: I can't decide any longer for one of these points of views or non-points of views." Artworks are not presented in groups by artist, but rather by associative links of picture strips, found-object texts, prose, drawings and collages.
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FORMAT: Paperback, 6 x 9 in. / 208 pgs / 118 color. LIST PRICE: U.S. $39.95 LIST PRICE: CANADA $50 ISBN: 9783865602015 PUBLISHER: Walther König, Köln AVAILABLE: 7/1/2007 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR | D.A.P. CATALOG: FALL 2007 Page 157 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Michael Krebber, Gareth James, John Kelsey, Josef Strau Published by Walther König, Köln. | The artist and professor Michael Krebber recently invited his colleagues Gareth James, John Kelsey and Josef Strau to participate in an exhibition with the title Ical Krbbr Prdly Prsnts Gart Jas, Jon Klsy, Josf Stra. Minus a few of the necessary letters, the artists' names became a wall painting transformed into concrete poetry. As the exhibition freed itself from the curator's reins, the resulting exhibition catalogue also goes against conventional form and order. For example, a foreword by the editor turns out to be an artist's improvised speech on the topic of Puberty in Painting: "Now I have written: I can't decide any longer for one of these points of views or non-points of views." Artworks are not presented in groups by artist, but rather by associative links of picture strips, found-object texts, prose, drawings and collages.
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