| | BOOK FORMAT
Paperback, 8.75 x 10.5 in. / 120 pgs / 60 color PUBLISHING STATUS
Pub Date 2/2/2002
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2002 PRODUCT DETAILS
ISBN 9783803032027 FLAT40
List Price: $19.95 CAD $25.00 AVAILABILITY
Not available | TERRITORY
NA ME | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Qin YufenArtwork by Qin Yufen.
Born in the Chinese town of Qindao in 1954, artist Qin Yufen has spent the last 15 years living and working in Berlin, a cross-cultural biography that in many ways is reflected in her site-sensitive installation work. Combining western artistic techiniques with such symbolically eastern materials as bamboo, rice paper, and silk, Qin engages an ongoing dialogue between form and content, regionalism and internationalism, and East and West. At times serious, humorous, sublime, and simple, the aesthetics of her painterly sculptures have been compared with traditional Chinese poetry, especially in her use of metaphor. This catalogue contextualizes three of Qin's recent installations in Germany within her larger body of work.
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FORMAT: Paperback, 8.75 x 10.5 in. / 120 pgs / 60 color
LIST PRICE: U.S. $19.95
LIST PRICE: CANADA $25
ISBN: 9783803032027
PUBLISHER: Wasmuth
AVAILABLE: 2/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
TERRITORY: NA ME | D.A.P. CATALOG: SPRING 2002 | PRESS INQUIRIES
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| Qin Yufen Published by Wasmuth.
Artwork by Qin Yufen. Born in the Chinese town of Qindao in 1954, artist Qin Yufen has spent the last 15 years living and working in Berlin, a cross-cultural biography that in many ways is reflected in her site-sensitive installation work. Combining western artistic techiniques with such symbolically eastern materials as bamboo, rice paper, and silk, Qin engages an ongoing dialogue between form and content, regionalism and internationalism, and East and West. At times serious, humorous, sublime, and simple, the aesthetics of her painterly sculptures have been compared with traditional Chinese poetry, especially in her use of metaphor. This catalogue contextualizes three of Qin's recent installations in Germany within her larger body of work.
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