| | BOOK FORMAT
Paperback, 9 x 11 in. / 160 pgs / 120 color. PUBLISHING STATUS
Pub Date 3/15/2005
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2005 p. 140 PRODUCT DETAILS
ISBN 9783775715553 TRADE
List Price: $35.00 CAD $40.00 AVAILABILITY
Not available | TERRITORY
NA LA | | THE SPRING 2026 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Bernhard Martin: Touch Of CharmEssays by Arne Ehmann, Zdenek Felix and Bernhart Schwenk.
Bernhard Martin's collages present a broad array of vividly colored visual references that call to mind images encountered in advertising, magazines, mail-order catalogues and television programs. Pursuing a principle comparable to that of a baroque chamber of wonders, Hanover-born Martin arranges images both familiar and obscure around a basic motif, distilling from the whole a panorama of our world. In creating these mementos, the artist reinvents ordinary textbook illustrations or candy wrappers and, with them, composes collages of these seemingly harmless everyday sequences that are gorged with visual imagery, and transformed into captivating cultural critiques.
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FORMAT: Paperback, 9 x 11 in. / 160 pgs / 120 color.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9783775715553
PUBLISHER: Hatje Cantz
AVAILABLE: 3/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2005 Page 140 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
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| Bernhard Martin: Touch Of Charm Published by Hatje Cantz.
Essays by Arne Ehmann, Zdenek Felix and Bernhart Schwenk. Bernhard Martin's collages present a broad array of vividly colored visual references that call to mind images encountered in advertising, magazines, mail-order catalogues and television programs. Pursuing a principle comparable to that of a baroque chamber of wonders, Hanover-born Martin arranges images both familiar and obscure around a basic motif, distilling from the whole a panorama of our world. In creating these mementos, the artist reinvents ordinary textbook illustrations or candy wrappers and, with them, composes collages of these seemingly harmless everyday sequences that are gorged with visual imagery, and transformed into captivating cultural critiques.
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